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Dance
1969·Movie
·4min·
Dance fingerprint
Striking style, calm.
Energy
Calm and low-key
- Tension2
- Fast Pace2
- Spectacle2
Heart
Emotionally reserved
- Nostalgia5
- Wonder4
- Melancholy2
Humor
A little humor
Not a comedy at heart.
- Absurdist Humor4
- Satire & Parody1
- Situational Comedy0
World
Kept in the background
- Ambiguity9
- Novelty7
- World Immersion4
Craft
Solid, not remarkable
- Non-linear Narrative8
- Direction6
- Complexity4
Style
Standout editing, visual style, and sound design
A distinctive visual signature.
- Music Centrality9
- Editing8
- Visual Stylization8
Energy
NoneCalm and low-key
Dance is calm and low-intensity.
All energy traits
- Tension2Edge-of-your-seat suspense and pressure.
- Fast Pace2Quick tempo and momentum.
- Spectacle2Scale and set-piece grandeur.
- Adrenaline1High-energy, pulse-pounding intensity.
- Scare0Frightening moments and scares.
- Violence0Physical conflict and intensity.
Related traits
- Uncanny6Eerie, unsettling strangeness.
Heart
NoneEmotionally reserved
It keeps its emotions at a distance.
All heart traits
- Nostalgia5Warmth of memory and retro vibes.
- Wonder4Awe, discovery, and amazement.
- Melancholy2Bittersweet, reflective sadness.
- Romance1Love stories and emotional connections.
- Pathos1Deeply moving, empathetic emotion.
- Hopefulness1Optimism and uplifting resolve.
- Catharsis1Emotional release and payoff.
- Wholesome0Heartwarming, uplifting feelings.
- Coming of Age0Personal growth and self-discovery.
- Family Dynamics0Relationships and generational ties.
Humor
NoneA little humor
Not a comedy at heart.
Expect a little humor.
All humor traits
- Absurdist Humor4Surreal, nonsensical comedy.
- Satire & Parody1Sharp critique and playful imitation.
- Situational Comedy0Humor from everyday scenarios and setups.
- Wit & Wordplay0Clever dialogue and verbal humor.
- Physical Comedy0Slapstick and visual gags.
- Cringe Humor0Awkward, uncomfortable laughs.
- Dark Humor0Humor from taboo or grim topics.
Related traits
- Eccentricity7Oddball tone and quirks.
All world traits
- Ambiguity9Open-endedness and uncertainty.
- Novelty7Fresh ideas and invention.
- World Immersion4Depth and sensory richness of setting.
- Rewatchability3Invites repeat viewing.
- Dialogue Centrality0Stories driven by conversation.
Related traits
- Surrealism8Dreamlike, bizarre imagery.
Craft
NoneSolid, not remarkable
The craft is serviceable rather than remarkable.
All craft traits
- Non-linear Narrative8Time-shifts and structure play.
- Direction6Vision and command behind the camera.
- Complexity4Layered plots and ideas.
- Intrigue3Curiosity and investigative pull.
- Acting1Performance craft and presence.
- Narrative Structure1Story architecture and form.
- Character Depth1Rich, complex characterization.
- Meta Narrative1Stories about storytelling.
- Dialogue Quality0Sharp writing and memorable lines.
Related traits
- Novelty7Fresh ideas and invention.
Style
HighStandout editing, visual style, and sound design
A distinctive visual signature.
Look and sound: the editing, visual style, and sound design stand out.
All style traits
- Music Centrality9Songs central to storytelling.
- Editing8Pacing and structure through cuts.
- Visual Stylization8Distinctive aesthetic signature.
- Sound Centrality8Sound design as core element.
- Music Composition7Score and musical identity.
- Cinematography5Visual composition and camera work.
Related traits
- Psychedelic6Mind-bending, trippy visuals.
Who it's for
AdultsFriends NightPublic Viewing SafeSolo WatchBackground WatchDrop-in FriendlyThought-Provoking
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About
« I made several underground films in the period between 1966 and 1969: "Two Sisters", "Drums", "Hommage è Marlene", "Dance", "Indian Summer", "Brigitte", "Gut dass es den Fußball gibt" and others. Most of them are experimental films shot on 8 mm material without sound. During the editing the films were synchronized with alienated, deformed music from magnetic tapes. The films were shown in universities, during parties or in music clubs. Some of the films were used later on as elements of scenery in the theatre piece "Zigger Zagger" by Peter Terson. They were projected contemporaneously on different screens in front, behind and on both sides of the audience in the theatre of Münster. » (Georg Brintrup)
Underground Experimental FilmAvant-Garde MontageSilent Visuals with Deformed AudioPsychedelic AestheticAbstract MovementLo-Fi 8mm TextureSurreal ImageryAcousmatic Sound DesignNon-Narrative StructureCult Art Cinema
Crew
Directed by:
Sequels and Prequels
No sequels or prequels available
Media
Questions about Dance
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How long is Dance?
0 h 4 min
Dance runs 0 h 4 min.
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