5.8
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The Indians Are Coming
1930·Movie
The Indians Are Coming fingerprint
High energy, a touch of humor.
Energy
Violent and thrilling
Fast from start to finish.
- Violence8
- Adrenaline7
- Fast Pace7
Heart
Nostalgic
- Nostalgia7
- Hopefulness6
- Wonder6
Humor
Some slapstick
Not a comedy at heart.
- Physical Comedy6
- Wit & Wordplay3
- Satire & Parody3
World
History and war
- World Immersion6
- Dialogue Centrality6
- Rewatchability5
Craft
Solid, not remarkable
- Direction6
- Acting6
- Narrative Structure6
Style
Functional look and sound
- Editing6
- Cinematography5
- Music Composition5
Energy
HighViolent and thrilling
Fast from start to finish.
The Indians Are Coming is violent, thrilling, and fast-paced.
All energy traits
- Violence8Physical conflict and intensity.
- Adrenaline7High-energy, pulse-pounding intensity.
- Fast Pace7Quick tempo and momentum.
- Spectacle7Scale and set-piece grandeur.
- Tension6Edge-of-your-seat suspense and pressure.
- Scare4Frightening moments and scares.
Related traits
- Warfare7Battles, strategy, and conflict.
- Slow Burn5Gradual build with payoff.
- Bleakness5Grim, stark outlooks.
All heart traits
- Nostalgia7Warmth of memory and retro vibes.
- Hopefulness6Optimism and uplifting resolve.
- Wonder6Awe, discovery, and amazement.
- Romance5Love stories and emotional connections.
- Pathos5Deeply moving, empathetic emotion.
- Melancholy4Bittersweet, reflective sadness.
- Catharsis4Emotional release and payoff.
- Coming of Age4Personal growth and self-discovery.
- Family Dynamics4Relationships and generational ties.
- Wholesome3Heartwarming, uplifting feelings.
Related traits
- Character Depth6Rich, complex characterization.
- Bleakness5Grim, stark outlooks.
Humor
LowSome slapstick
Not a comedy at heart.
Expect some slapstick.
All humor traits
- Physical Comedy6Slapstick and visual gags.
- Wit & Wordplay3Clever dialogue and verbal humor.
- Satire & Parody3Sharp critique and playful imitation.
- Dark Humor3Humor from taboo or grim topics.
- Situational Comedy2Humor from everyday scenarios and setups.
- Cringe Humor1Awkward, uncomfortable laughs.
- Absurdist Humor1Surreal, nonsensical comedy.
World
LowHistory and war
Its world is built around history and war.
All world traits
- World Immersion6Depth and sensory richness of setting.
- Dialogue Centrality6Stories driven by conversation.
- Rewatchability5Invites repeat viewing.
- Novelty4Fresh ideas and invention.
- Ambiguity3Open-endedness and uncertainty.
Related traits
- Historical9Period settings and real events.
- Warfare7Battles, strategy, and conflict.
- Politics6Thought-provoking works exploring political themes.
- Social Commentary6Perspectives on society and norms.
- Crime5Heists, investigation, and underworld.
- Class & Capitalism5Wealth, power, and inequality.
Craft
MediumSolid, not remarkable
The craft is serviceable rather than remarkable.
All craft traits
- Direction6Vision and command behind the camera.
- Acting6Performance craft and presence.
- Narrative Structure6Story architecture and form.
- Character Depth6Rich, complex characterization.
- Intrigue6Curiosity and investigative pull.
- Dialogue Quality5Sharp writing and memorable lines.
- Complexity5Layered plots and ideas.
- Non-linear Narrative1Time-shifts and structure play.
- Meta Narrative1Stories about storytelling.
Related traits
- Fast Pace7Quick tempo and momentum.
- Educational5Informative and instructive.
- Slow Burn5Gradual build with payoff.
Style
MediumFunctional look and sound
The look and sound stay functional.
All style traits
- Editing6Pacing and structure through cuts.
- Cinematography5Visual composition and camera work.
- Music Composition5Score and musical identity.
- Sound Centrality5Sound design as core element.
- Visual Stylization4Distinctive aesthetic signature.
- Music Centrality4The score or soundtrack shapes the emotional experience.
Related traits
- Spectacle7Scale and set-piece grandeur.
- Dialogue Centrality6Stories driven by conversation.
Who it's for
AdultsFamily Movie NightFriends NightIntergenerationalKidsPublic Viewing SafeSolo WatchTeensBackground WatchBinge-FriendlyComfort WatchDrop-in FriendlyPure Escapism
Skip it if
Graphic violence bothers you
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About
Painted RED DEVILS on a Blood Thirsty Rampage!
Jack Manning (Tim McCoy) arrives in a midwestern town from Gold Creek in Califonia. He brings a message from Goerge Woods (Francis Ford) to his brother Tom Woods (Francis Ford), in a dual role, and niece Mary (Allene Ray, informing them he has struck gold and asking them to join him in California via a wagon train. Jack and Mary fall in love to the great displeasure of Rance Carter (Wilbur McGaugh) who has a yen for Mary himself. Jack and Mary not only have to be wary of Carter's crooked ways and machinations, but also of Indian uprisings, caused by Carter.
WesternEarly CinemaActionRomanceNative AmericansWagon TrainHistorical AdventureHeroicClassic
Actors
Crew
Directed by:
Written by:
Produced by:
Composed by:
Related Movies and Shows
Overall: Similar vibe.
Movies
Shows
Sequels and Prequels
No sequels or prequels available
Media
Questions about The Indians Are Coming
Quick answers from GoodWatch data.
Is The Indians Are Coming worth watching?
60
DecentGoodWatch scoreOpinions are mixed, with a GoodWatch score of 61/100 (IMDb 5.8). The GoodWatch score combines critic and audience ratings.
What is The Indians Are Coming rated?
Violence
Content advisories: violence.
How long is The Indians Are Coming?
3 h 20 min
The Indians Are Coming runs 3 h 20 min.
What language is The Indians Are Coming in?
English
It was made in English. Produced in United States.