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At the Back of the Screen
2020·Movie
·3h 7min·
At the Back of the Screen fingerprint
No humor.
Energy
Calm and low-key
- Fast Pace3
- Spectacle3
- Tension2
Heart
Emotionally reserved
- Pathos5
- Hopefulness5
- Melancholy4
Humor
Serious throughout
- Wit & Wordplay2
- Situational Comedy1
- Physical Comedy1
World
A real life story, society, and everyday modern life
- World Immersion7
- Dialogue Centrality7
- Novelty6
Craft
Solid, not remarkable
- Direction7
- Acting7
- Character Depth7
Style
Functional look and sound
- Cinematography6
- Editing6
- Visual Stylization6
All energy traits
- Fast Pace3Quick tempo and momentum.
- Spectacle3Scale and set-piece grandeur.
- Tension2Edge-of-your-seat suspense and pressure.
- Adrenaline1High-energy, pulse-pounding intensity.
- Scare1Frightening moments and scares.
- Violence1Physical conflict and intensity.
Related traits
- Slow Burn6Gradual build with payoff.
All heart traits
- Pathos5Deeply moving, empathetic emotion.
- Hopefulness5Optimism and uplifting resolve.
- Melancholy4Bittersweet, reflective sadness.
- Catharsis4Emotional release and payoff.
- Family Dynamics4Relationships and generational ties.
- Wholesome3Heartwarming, uplifting feelings.
- Nostalgia3Warmth of memory and retro vibes.
- Romance2Love stories and emotional connections.
- Wonder2Awe, discovery, and amazement.
- Coming of Age1Personal growth and self-discovery.
Related traits
- Character Depth7Rich, complex characterization.
All humor traits
- Wit & Wordplay2Clever dialogue and verbal humor.
- Situational Comedy1Humor from everyday scenarios and setups.
- Physical Comedy1Slapstick and visual gags.
- Cringe Humor1Awkward, uncomfortable laughs.
- Absurdist Humor1Surreal, nonsensical comedy.
- Satire & Parody1Sharp critique and playful imitation.
- Dark Humor1Humor from taboo or grim topics.
World
MediumA real life story, society, and everyday modern life
Its world is built around a real life story, society, and everyday modern life.
All world traits
- World Immersion7Depth and sensory richness of setting.
- Dialogue Centrality7Stories driven by conversation.
- Novelty6Fresh ideas and invention.
- Rewatchability5Invites repeat viewing.
- Ambiguity4Open-endedness and uncertainty.
Related traits
- Biographical9Lives of notable figures.
- Social Commentary8Perspectives on society and norms.
- Contemporary Realism7Modern, grounded storytelling.
- Showbiz5Entertainment industry and performance.
Craft
MediumSolid, not remarkable
The craft is serviceable rather than remarkable.
All craft traits
- Direction7Vision and command behind the camera.
- Acting7Performance craft and presence.
- Character Depth7Rich, complex characterization.
- Complexity6Layered plots and ideas.
- Narrative Structure5Story architecture and form.
- Dialogue Quality5Sharp writing and memorable lines.
- Intrigue5Curiosity and investigative pull.
- Non-linear Narrative1Time-shifts and structure play.
- Meta Narrative1Stories about storytelling.
Related traits
- Educational8Informative and instructive.
- Novelty6Fresh ideas and invention.
- Slow Burn6Gradual build with payoff.
Style
MediumFunctional look and sound
The look and sound stay functional.
All style traits
- Cinematography6Visual composition and camera work.
- Editing6Pacing and structure through cuts.
- Visual Stylization6Distinctive aesthetic signature.
- Music Composition5Score and musical identity.
- Music Centrality4The score or soundtrack shapes the emotional experience.
- Sound Centrality3Sound design as core element.
Related traits
- Dialogue Centrality7Stories driven by conversation.
Who it's for
AdultsFriends NightPartner WatchPublic Viewing SafeSolo WatchTeensBackground WatchDrop-in FriendlyThought-Provoking
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About
A documentary about Malga Kubiak and her team. It's not only a movie about her, but also about the situation of independent, lesbian and queer cinema in Poland, Europe and all over the world. Malga is a director, activist, mother, daughter and grandmother. Her family is constantly engaged in her work. She made over 40 movies about such queer icons as Pasolini, Annemarie Schwarzenbach, F.G. Lorca, Andy Warhol or Lizzie Siddal, the muse of Pre-Raphaelites.
Lesbian CinemaQueer CinemaPolish CinemaIndependent CinemaActivistAvant-GardeDocumentaryFeminist
Crew
Directed by:
Produced by:
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Sequels and Prequels
No sequels or prequels available
Media
Questions about At the Back of the Screen
Quick answers from GoodWatch data.
Is At the Back of the Screen worth watching?
15
TerribleGoodWatch scoreReviews are weak, with a GoodWatch score of 15/100 (IMDb 1.5). The GoodWatch score combines critic and audience ratings.
How long is At the Back of the Screen?
3 h 7 min
At the Back of the Screen runs 3 h 7 min.
Is At the Back of the Screen based on a true story?
Yes. It's based on real events or a real person's life.
What language is At the Back of the Screen in?
PolishEnglish
It was made in Polish, with some English. Produced in Sweden.