6.3
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Indonesia Calling
1946·Movie
·23min·
Indonesia Calling fingerprint
No humor.
Energy
Calm and low-key
- Tension6
- Adrenaline5
- Fast Pace4
Heart
Hopeful and cathartic
- Hopefulness8
- Catharsis7
- Pathos6
Humor
Serious throughout
- Wit & Wordplay2
- Situational Comedy0
- Physical Comedy0
World
History, politics, and society
Lived-in and easy to get lost in.
- World Immersion8
- Dialogue Centrality7
- Novelty7
Craft
Solid, not remarkable
- Direction7
- Intrigue7
- Acting6
Style
Functional look and sound
- Cinematography7
- Editing7
- Music Composition6
Energy
MediumCalm and low-key
Indonesia Calling is calm and low-intensity.
All energy traits
- Tension6Edge-of-your-seat suspense and pressure.
- Adrenaline5High-energy, pulse-pounding intensity.
- Fast Pace4Quick tempo and momentum.
- Spectacle3Scale and set-piece grandeur.
- Violence3Physical conflict and intensity.
- Scare0Frightening moments and scares.
Related traits
- Warfare7Battles, strategy, and conflict.
- Slow Burn6Gradual build with payoff.
Heart
LowHopeful and cathartic
Emotionally, it's hopeful and cathartic.
All heart traits
- Hopefulness8Optimism and uplifting resolve.
- Catharsis7Emotional release and payoff.
- Pathos6Deeply moving, empathetic emotion.
- Melancholy5Bittersweet, reflective sadness.
- Wonder3Awe, discovery, and amazement.
- Wholesome2Heartwarming, uplifting feelings.
- Nostalgia2Warmth of memory and retro vibes.
- Family Dynamics1Relationships and generational ties.
- Romance0Love stories and emotional connections.
- Coming of Age0Personal growth and self-discovery.
Related traits
- Character Depth5Rich, complex characterization.
Humor
NoneSerious throughout
Expect almost no humor.
All humor traits
- Wit & Wordplay2Clever dialogue and verbal humor.
- Situational Comedy0Humor from everyday scenarios and setups.
- Physical Comedy0Slapstick and visual gags.
- Cringe Humor0Awkward, uncomfortable laughs.
- Absurdist Humor0Surreal, nonsensical comedy.
- Satire & Parody0Sharp critique and playful imitation.
- Dark Humor0Humor from taboo or grim topics.
World
MediumHistory, politics, and society
Lived-in and easy to get lost in.
Its world is built around history, politics, and society. The setting feels lived-in and easy to get lost in.
All world traits
- World Immersion8Depth and sensory richness of setting.
- Dialogue Centrality7Stories driven by conversation.
- Novelty7Fresh ideas and invention.
- Rewatchability5Invites repeat viewing.
- Ambiguity2Open-endedness and uncertainty.
Related traits
- Historical10Period settings and real events.
- Politics10Thought-provoking works exploring political themes.
- Social Commentary9Perspectives on society and norms.
- Class & Capitalism8Wealth, power, and inequality.
- Warfare7Battles, strategy, and conflict.
Craft
MediumSolid, not remarkable
The craft is serviceable rather than remarkable.
All craft traits
- Direction7Vision and command behind the camera.
- Intrigue7Curiosity and investigative pull.
- Acting6Performance craft and presence.
- Narrative Structure6Story architecture and form.
- Dialogue Quality6Sharp writing and memorable lines.
- Character Depth5Rich, complex characterization.
- Complexity5Layered plots and ideas.
- Non-linear Narrative0Time-shifts and structure play.
- Meta Narrative0Stories about storytelling.
Related traits
- Educational9Informative and instructive.
- Novelty7Fresh ideas and invention.
- Slow Burn6Gradual build with payoff.
Style
MediumFunctional look and sound
The look and sound stay functional.
All style traits
- Cinematography7Visual composition and camera work.
- Editing7Pacing and structure through cuts.
- Music Composition6Score and musical identity.
- Sound Centrality6Sound design as core element.
- Music Centrality5Songs central to storytelling.
- Visual Stylization3Distinctive aesthetic signature.
Related traits
- Dialogue Centrality7Stories driven by conversation.
Who it's for
AdultsFriends NightIntergenerationalPartner WatchPublic Viewing SafeSolo WatchTeensDrop-in FriendlyThought-Provoking
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About
Two weeks after the bombing of Hiroshima and Nagasaki, in August 1945, Indonesian Independence leaders proclaimed “Indonesia Merdeka!” ‘Freedom for Indonesia’ and an end to Dutch colonial rule over the Netherlands East Indies. Internationally renowned Dutch filmmaker Joris Ivens, in Australia as Film Commissioner for the Netherlands East Indies government in exile, resigned his position in protest against Dutch policy, which sought to re-impose its colonial rule. In collaboration with Indonesian activists, Chinese, Indian and Australian trade unionists, and local artists and filmmakers, Ivens made Indonesia Calling, a film documenting the crucial role of Australian trade union support in the establishment of the new Republic of Indonesia. Ivens’ film was an activist documentary; it actively contributed to the events it depicted. All those who worked on it became ‘adversely known’ to the security services.
Anti-Colonial DocumentaryIndonesian IndependenceHistorical ActivismPost-War PoliticsTrade Union SupportJoris Ivens FilmSocial JusticeGlobal SolidarityPropaganda Film
Crew
Directed by:
Written by:
Related Movies and Shows
Overall: Similar vibe.
Movies
Shows
Sequels and Prequels
No sequels or prequels available
Media
Questions about Indonesia Calling
Quick answers from GoodWatch data.
Is Indonesia Calling worth watching?
61
DecentGoodWatch scoreOpinions are mixed, with a GoodWatch score of 61/100 (IMDb 6.3). The GoodWatch score combines critic and audience ratings.
How long is Indonesia Calling?
0 h 23 min
Indonesia Calling runs 0 h 23 min.
What language is Indonesia Calling in?
English
It was made in English. Produced in Australia.