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Trailer

Jamie Marks Is Dead

2014Movie1 h 41 minNR

51
MediocreGoodWatch score

A relentlessly bleak, moving drama movie about the mind and mystery.

Good for friends night · drop-in friendly · thought-provoking

Skip it if you need an uplifting mood · you want fast pacing

Where to watch

Fingerprint

Not for laughs, warmth or comfort.

Movies with

Story

How far would you go to be remembered?

No one seemed to care about Jamie Marks until after his death. Hoping to find the love and friendship he never had in life, Jamie’s ghost visits former classmate Adam McCormick, drawing him into the bleak world between the living and the dead.

Feels like

  • Supernatural Drama
  • Ghost Story
  • Bleak Coming-of-Age
  • Melancholy
  • Psychological Exploration
  • Small Town Isolation
  • Introspective
  • Haunting Atmosphere

Cast

Crew

Directed by
Carter Smith

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

July 28, 2014 · 1 h 41 min · NR

Released
July 28, 2014
Runtime
1 h 41 min
Age rating
NR
Content
Disturbing Imagery, Suicide Themes
Genres
Drama, Thriller
Original language
English
Made in
United States
Budget
$2 million
Available in
9 countries

Q&A

4 questions, like "Where can I stream Jamie Marks Is Dead?"

Questions about Jamie Marks Is Dead

Quick answers from GoodWatch data.

Where can I stream Jamie Marks Is Dead?

In the United States, Jamie Marks Is Dead streams on Indie Club, and it is free with ads on Hoopla, Fandango at Home Free, Plex, and Tubi TV. You can rent or buy it from Apple TV Store. It also streams in 5 other countries.

Is Jamie Marks Is Dead worth watching?

51
MediocreGoodWatch score

Opinions are mixed, with a GoodWatch score of 51 (IMDb 5.5, Rotten Tomatoes 56%, and Metacritic 49).

Will I feel good after watching Jamie Marks Is Dead?

BleakHopeful

Probably not: the title analysis rates it 9 of 10 for bleakness and 8 for melancholy, against 3 for hopefulness.

Is Jamie Marks Is Dead plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on character depth (8 of 10) and pathos (8 of 10) more than on its plot.