8.7
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La Traviata
2001·Movie
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La Traviata fingerprint
High energy, strong craft, no humor.
Energy
Spectacular
- Spectacle8
- Tension6
- Adrenaline5
Heart
Deeply moving and melancholic
- Pathos9
- Melancholy8
- Catharsis8
Humor
A little humor
Not a comedy at heart.
- Wit & Wordplay3
- Satire & Parody2
- Situational Comedy1
World
Show business and history
Lived-in and easy to get lost in.
- World Immersion8
- Rewatchability6
- Dialogue Centrality5
Craft
Standout performances
- Acting8
- Direction7
- Narrative Structure7
Style
Standout score
- Music Composition9
- Music Centrality9
- Cinematography7
All energy traits
- Spectacle8Scale and set-piece grandeur.
- Tension6Edge-of-your-seat suspense and pressure.
- Adrenaline5High-energy, pulse-pounding intensity.
- Fast Pace5Quick tempo and momentum.
- Violence3Physical conflict and intensity.
- Scare2Frightening moments and scares.
Related traits
- Bleakness7Grim, stark outlooks.
- Slow Burn6Gradual build with payoff.
Heart
MediumDeeply moving and melancholic
Emotionally, it's deeply moving, melancholic, and cathartic.
All heart traits
- Pathos9Deeply moving, empathetic emotion.
- Melancholy8Bittersweet, reflective sadness.
- Catharsis8Emotional release and payoff.
- Romance7Love stories and emotional connections.
- Nostalgia6Warmth of memory and retro vibes.
- Wonder6Awe, discovery, and amazement.
- Hopefulness4Optimism and uplifting resolve.
- Family Dynamics4Relationships and generational ties.
- Wholesome3Heartwarming, uplifting feelings.
- Coming of Age2Personal growth and self-discovery.
Related traits
- Bleakness7Grim, stark outlooks.
- Character Depth7Rich, complex characterization.
Humor
NoneA little humor
Not a comedy at heart.
Expect a little humor.
All humor traits
- Wit & Wordplay3Clever dialogue and verbal humor.
- Satire & Parody2Sharp critique and playful imitation.
- Situational Comedy1Humor from everyday scenarios and setups.
- Physical Comedy1Slapstick and visual gags.
- Cringe Humor1Awkward, uncomfortable laughs.
- Absurdist Humor1Surreal, nonsensical comedy.
- Dark Humor1Humor from taboo or grim topics.
World
MediumShow business and history
Lived-in and easy to get lost in.
Its world is built around show business and history. The setting feels lived-in and easy to get lost in.
All world traits
- World Immersion8Depth and sensory richness of setting.
- Rewatchability6Invites repeat viewing.
- Dialogue Centrality5Stories driven by conversation.
- Novelty5Fresh ideas and invention.
- Ambiguity3Open-endedness and uncertainty.
Related traits
- Showbiz10Entertainment industry and performance.
- Historical8Period settings and real events.
- Social Commentary6Perspectives on society and norms.
- Psychological5Inner worlds and mind games.
Craft
HighStandout performances
The performances stand out.
All craft traits
- Acting8Performance craft and presence.
- Direction7Vision and command behind the camera.
- Narrative Structure7Story architecture and form.
- Character Depth7Rich, complex characterization.
- Intrigue7Curiosity and investigative pull.
- Dialogue Quality6Sharp writing and memorable lines.
- Complexity6Layered plots and ideas.
- Non-linear Narrative1Time-shifts and structure play.
- Meta Narrative1Stories about storytelling.
Related traits
- Slow Burn6Gradual build with payoff.
- Novelty5Fresh ideas and invention.
- Fast Pace5Quick tempo and momentum.
All style traits
- Music Composition9Score and musical identity.
- Music Centrality9Songs central to storytelling.
- Cinematography7Visual composition and camera work.
- Visual Stylization7Distinctive aesthetic signature.
- Editing6Pacing and structure through cuts.
- Sound Centrality5Sound design as core element.
Related traits
- Spectacle8Scale and set-piece grandeur.
- Dialogue Centrality5Stories driven by conversation.
Who it's for
AdultsDate NightFriends NightParty VibePartner WatchPublic Viewing SafeSolo WatchDrop-in FriendlyPure EscapismThought-Provoking
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About
La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]
OperaTragic RomanceClassical MusicShowbiz DramaHistorical SettingItalian CultureMelancholyEmotional Performance
Crew
Directed by:
Written by:
Composed by:
Sequels and Prequels
No sequels or prequels available
Media
Questions about La Traviata
Quick answers from GoodWatch data.
Is La Traviata worth watching?
76
GreatGoodWatch scoreMostly. It's well received, with a GoodWatch score of 76/100 (IMDb 8.7). The GoodWatch score combines critic and audience ratings.
What is La Traviata rated?
Sexual content
Content advisories: sexual content.
What language is La Traviata in?
EnglishItalian
It was made in English, with some Italian. Produced in United Kingdom.