7.6
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High Tor
1956·Movie
High Tor fingerprint
Big heart, striking style.
Energy
Calm and low-key
- Spectacle6
- Fast Pace5
- Tension3
Heart
Nostalgic and romantic
- Nostalgia9
- Romance8
- Hopefulness8
Humor
Some situational comedy and sharp wit
Not a comedy at heart.
- Situational Comedy6
- Wit & Wordplay6
- Physical Comedy5
World
Fantasy and pop culture
- World Immersion7
- Dialogue Centrality7
- Rewatchability7
Craft
Standout performances
- Acting8
- Direction7
- Narrative Structure7
Style
Standout score
- Music Composition9
- Music Centrality9
- Cinematography7
Energy
MediumCalm and low-key
High Tor is calm and low-intensity.
All energy traits
- Spectacle6Scale and set-piece grandeur.
- Fast Pace5Quick tempo and momentum.
- Tension3Edge-of-your-seat suspense and pressure.
- Adrenaline2High-energy, pulse-pounding intensity.
- Scare0Frightening moments and scares.
- Violence0Physical conflict and intensity.
Heart
HighNostalgic and romantic
Emotionally, it's nostalgic, romantic, and hopeful.
All heart traits
- Nostalgia9Warmth of memory and retro vibes.
- Romance8Love stories and emotional connections.
- Hopefulness8Optimism and uplifting resolve.
- Wonder8Awe, discovery, and amazement.
- Wholesome7Heartwarming, uplifting feelings.
- Catharsis6Emotional release and payoff.
- Pathos4Deeply moving, empathetic emotion.
- Family Dynamics4Relationships and generational ties.
- Melancholy3Bittersweet, reflective sadness.
- Coming of Age0Personal growth and self-discovery.
Related traits
- Character Depth6Rich, complex characterization.
Humor
MediumSome situational comedy and sharp wit
Not a comedy at heart.
Expect some situational comedy and sharp wit.
All humor traits
- Situational Comedy6Humor from everyday scenarios and setups.
- Wit & Wordplay6Clever dialogue and verbal humor.
- Physical Comedy5Slapstick and visual gags.
- Absurdist Humor4Surreal, nonsensical comedy.
- Satire & Parody1Sharp critique and playful imitation.
- Cringe Humor0Awkward, uncomfortable laughs.
- Dark Humor0Humor from taboo or grim topics.
Related traits
- Wholesome7Heartwarming, uplifting feelings.
- Eccentricity5Oddball tone and quirks.
World
MediumFantasy and pop culture
Its world is built around fantasy and pop culture.
All world traits
- World Immersion7Depth and sensory richness of setting.
- Dialogue Centrality7Stories driven by conversation.
- Rewatchability7Invites repeat viewing.
- Novelty6Fresh ideas and invention.
- Ambiguity2Open-endedness and uncertainty.
Related traits
- Fantasy8Mythic worlds and magical systems.
- Pop Culture7References and cultural commentary.
- Showbiz6Entertainment industry and performance.
Craft
MediumStandout performances
The performances stand out.
All craft traits
- Acting8Performance craft and presence.
- Direction7Vision and command behind the camera.
- Narrative Structure7Story architecture and form.
- Dialogue Quality7Sharp writing and memorable lines.
- Character Depth6Rich, complex characterization.
- Intrigue5Curiosity and investigative pull.
- Complexity3Layered plots and ideas.
- Non-linear Narrative0Time-shifts and structure play.
- Meta Narrative0Stories about storytelling.
Related traits
- Novelty6Fresh ideas and invention.
- Fast Pace5Quick tempo and momentum.
Style
HighStandout score
Look and sound: the score stand out.
All style traits
- Music Composition9Score and musical identity.
- Music Centrality9The score or soundtrack shapes the emotional experience.
- Cinematography7Visual composition and camera work.
- Editing7Pacing and structure through cuts.
- Visual Stylization6Distinctive aesthetic signature.
- Sound Centrality5Sound design as core element.
Related traits
- Dialogue Centrality7Stories driven by conversation.
- Spectacle6Scale and set-piece grandeur.
Who it's for
AdultsDate NightFamily Movie NightFriends NightParty VibeIntergenerationalKidsPartner WatchPublic Viewing SafeSolo WatchTeensBackground WatchComfort WatchDrop-in FriendlyPure Escapism
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About
High Tor is a 1936 play by Maxwell Anderson. Twenty years after the original production, Anderson adapted it into a television musical with Arthur Schwartz. Anderson first considered a musical adaptation of High Tor for television in 1949. He and John Monks Jr. adapted the play as a made-for-television musical fantasy in 1955, with music by Arthur Schwartz and lyrics by Anderson. High Tor was filmed in November 1955 by Desilu Productions at the RKO-Pathé Studio and broadcast March 10, 1956 on the CBS television network, as a 90-minute episode of the series Ford Star Jubilee. Bing Crosby, Julie Andrews, Nancy Olson, Hans Conreid, and Keenan Wynn starred in the film, produced by Arthur Schwartz, and directed by James Neilson.
Vintage MusicalRomantic FantasyTelevision AdaptationClassic Hollywood StarsWhimsical StorytellingEnchanting ScoreFamily-Friendly EntertainmentNostalgic CharmGentle HumorMid-Century Television
Actors
Crew
Directed by:
Written by:
Produced by:
Composed by:
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Sequels and Prequels
No sequels or prequels available
Media
Questions about High Tor
Quick answers from GoodWatch data.
Is High Tor worth watching?
79
GreatGoodWatch scoreYes. It's widely acclaimed, with a GoodWatch score of 80/100 (IMDb 7.6). The GoodWatch score combines critic and audience ratings.
What is High Tor rated?
NR
It's rated NR in the United States.
How long is High Tor?
1 h 30 min
High Tor runs 1 h 30 min.
What language is High Tor in?
English
It was made in English. Produced in United States.