5.9
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Don't Get Me Wrong
1937·Movie
Don't Get Me Wrong fingerprint
Light on feelings.
Energy
Fast-paced
Fast from start to finish.
- Fast Pace7
- Tension5
- Adrenaline4
Heart
Emotionally reserved
- Nostalgia6
- Romance5
- Hopefulness5
Humor
Some slapstick and situational comedy
Not a comedy at heart.
- Physical Comedy7
- Situational Comedy5
- Wit & Wordplay4
World
Kept in the background
- Dialogue Centrality7
- World Immersion6
- Rewatchability5
Craft
Solid, not remarkable
- Acting7
- Direction6
- Narrative Structure6
Style
Functional look and sound
- Cinematography6
- Editing6
- Music Composition5
Energy
MediumFast-paced
Fast from start to finish.
Don't Get Me Wrong is fast-paced.
All energy traits
- Fast Pace7Quick tempo and momentum.
- Tension5Edge-of-your-seat suspense and pressure.
- Adrenaline4High-energy, pulse-pounding intensity.
- Spectacle4Scale and set-piece grandeur.
- Violence3Physical conflict and intensity.
- Scare1Frightening moments and scares.
All heart traits
- Nostalgia6Warmth of memory and retro vibes.
- Romance5Love stories and emotional connections.
- Hopefulness5Optimism and uplifting resolve.
- Wholesome4Heartwarming, uplifting feelings.
- Catharsis4Emotional release and payoff.
- Pathos3Deeply moving, empathetic emotion.
- Melancholy3Bittersweet, reflective sadness.
- Wonder2Awe, discovery, and amazement.
- Coming of Age1Personal growth and self-discovery.
- Family Dynamics1Relationships and generational ties.
Related traits
- Character Depth5Rich, complex characterization.
Humor
MediumSome slapstick and situational comedy
Not a comedy at heart.
Expect some slapstick and situational comedy.
All humor traits
- Physical Comedy7Slapstick and visual gags.
- Situational Comedy5Humor from everyday scenarios and setups.
- Wit & Wordplay4Clever dialogue and verbal humor.
- Satire & Parody4Sharp critique and playful imitation.
- Dark Humor3Humor from taboo or grim topics.
- Cringe Humor2Awkward, uncomfortable laughs.
- Absurdist Humor2Surreal, nonsensical comedy.
All world traits
- Dialogue Centrality7Stories driven by conversation.
- World Immersion6Depth and sensory richness of setting.
- Rewatchability5Invites repeat viewing.
- Novelty4Fresh ideas and invention.
- Ambiguity3Open-endedness and uncertainty.
Related traits
- Historical6Period settings and real events.
- Crime6Heists, investigation, and underworld.
- Mystery5Whodunnits and unraveling secrets.
Craft
MediumSolid, not remarkable
The craft is serviceable rather than remarkable.
All craft traits
- Acting7Performance craft and presence.
- Direction6Vision and command behind the camera.
- Narrative Structure6Story architecture and form.
- Dialogue Quality6Sharp writing and memorable lines.
- Intrigue6Curiosity and investigative pull.
- Character Depth5Rich, complex characterization.
- Complexity4Layered plots and ideas.
- Non-linear Narrative1Time-shifts and structure play.
- Meta Narrative1Stories about storytelling.
Related traits
- Fast Pace7Quick tempo and momentum.
Style
MediumFunctional look and sound
The look and sound stay functional.
All style traits
- Cinematography6Visual composition and camera work.
- Editing6Pacing and structure through cuts.
- Music Composition5Score and musical identity.
- Visual Stylization5Distinctive aesthetic signature.
- Music Centrality5The score or soundtrack shapes the emotional experience.
- Sound Centrality5Sound design as core element.
Related traits
- Dialogue Centrality7Stories driven by conversation.
Who it's for
AdultsDate NightFamily Movie NightFriends NightParty VibeIntergenerationalKidsPartner WatchPublic Viewing SafeSolo WatchTeensBackground WatchComfort WatchDrop-in FriendlyPure Escapism
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About
Don't Get Me Wrong is a 1937 British comedy film co-directed by Arthur B. Woods and Reginald Purdell and starring Max Miller and George E. Stone. It was made at Teddington Studios with sets designed by Peter Proud. Unlike several of Miller's Teddington films which are now lost, this still survives. Miller plays a fairground performer who meets a professor who claims to have invented a cheap substitute for petrol. They team up and persuade a millionaire to finance them to develop and market the product, while unsavoury elements are keen to steal the formula and try all means to get their hands on it, involving slapstick chases and double-crosses. It then turns out that the miracle fluid is diluted coconut oil, and the genius professor is an escaped lunatic. The millionaire finds himself taking the brunt of the disappointment.
1930s British ComedySlapstickFairground PerformerInvention PlotCoconut OilEscaped LunaticMax MillerFast-Paced
Actors
Crew
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Sequels and Prequels
No sequels or prequels available
Media
Questions about Don't Get Me Wrong
Quick answers from GoodWatch data.
Is Don't Get Me Wrong worth watching?
79
GreatGoodWatch scoreYes. It's widely acclaimed, with a GoodWatch score of 80/100 (IMDb 5.9). The GoodWatch score combines critic and audience ratings.
How long is Don't Get Me Wrong?
1 h 20 min
Don't Get Me Wrong runs 1 h 20 min.
What language is Don't Get Me Wrong in?
English
It was made in English. Produced in United Kingdom.