Trailer

The Last Movie

1971Movie1 h 48 minR

51
MediocreGoodWatch score

A slow-burning, ambiguous drama movie about show business and society.

Good for friends night · teens · thought-provoking

Skip it if you want fast pacing

Where to watch

Fingerprint

Not for warmth, comfort or scares.

Movies with

Story

There is a time to die and a time not to

After a film production wraps in Peru, an American wrangler decides to stay behind, witnessing how filmmaking affects the locals.

Feels like

  • Meta-Cinematic Drama
  • Philosophical Exploration
  • Cultural Impact
  • Filmmaking Critique
  • Post-Colonial Commentary
  • Slow Burn Reflection
  • Independent & Arthouse
  • Observational Storytelling
  • Reality vs. Fiction

Cast

Crew

Directed by
Dennis Hopper
Produced by
Paul Lewis

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

September 29, 1971 · 1 h 48 min · R

Released
September 29, 1971
Runtime
1 h 48 min
Age rating
R
Genres
Drama
Original language
English
Also spoken
Spanish, Quechua
Made in
United States
Budget
$1 million
Available in
17 countries

Tropes

Cargo Cult, Hooker with a Heart of Gold, The Last Title +1

  • Cargo Cult
  • Hooker with a Heart of Gold
  • The Last Title
  • Scenery Porn

From TV Tropes.

Q&A

4 questions, like "Where can I stream The Last Movie?"

Questions about The Last Movie

Quick answers from GoodWatch data.

Where can I stream The Last Movie?

In the United States, The Last Movie streams on Night Flight+, and it is free with ads on The Roku, Kanopy, Plex, and Fawesome. You can rent or buy it from Apple TV Store. It also streams in 7 other countries.

Is The Last Movie worth watching?

51
MediocreGoodWatch score

Opinions are mixed, with a GoodWatch score of 51 (IMDb 6.1 and Rotten Tomatoes 47%).

Can I half-watch The Last Movie?

Easy watchDemanding

No, it needs your attention: the title analysis rates it 9 of 10 for meta narrative and 8 for philosophical.

Is The Last Movie plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on character depth (7 of 10) and dialogue centrality (6 of 10) more than on its plot.