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One Minute to Nine

2007Movie1 h 23 min

88
ExcellentGoodWatch score

A deeply moving, relentlessly bleak documentary movie about everyday modern life and the mind, with standout characters.

Good for friends night · thought-provoking · adults

Skip it if you need an uplifting mood

Where to watch

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Not for warmth, comfort or laughs.

Movies with

Story

The price of freedom, a minute away.

One Minute to Nine (also known as "Every F---ing Day of My Life") chronicles Wendy Maldonado's last five days of freedom before she and her son were sentenced for the manslaughter of her husband, and the years of domestic abuse the family experienced prior to his death.

Feels like

  • Domestic Abuse
  • Manslaughter
  • Legal Drama
  • Psychological Trauma
  • Bleak
  • Character Study
  • Contemporary Realism
  • Emotional

Crew

Directed by
Tommy Davis
Written by
Tommy Davis

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

August 5, 2007 · 1 h 23 min · Violence, Suicide Themes, Disturbing Imagery

Released
August 5, 2007
Runtime
1 h 23 min
Content
Violence, Suicide Themes, Disturbing Imagery
Genres
Documentary
Original language
English
Made in
United States
Available in
2 countries

Q&A

4 questions, like "Where can I stream One Minute to Nine?"

Questions about One Minute to Nine

Quick answers from GoodWatch data.

Where can I stream One Minute to Nine?

In the United States, One Minute to Nine is free with ads on Tubi TV. You can rent or buy it from Apple TV Store. It also streams in 1 other country.

Is One Minute to Nine worth watching?

88
ExcellentGoodWatch score

Yes, it's widely acclaimed, with a GoodWatch score of 88 (IMDb 7.4 and Rotten Tomatoes 100%). Critics rate it higher (100 out of 100) than audiences (81).

Will I feel good after watching One Minute to Nine?

BleakHopeful

Probably not: the title analysis rates it 9 of 10 for bleakness and 8 for melancholy, against 1 for hopefulness.

Is One Minute to Nine plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on character depth (9 of 10) and pathos (9 of 10) more than on its plot.