Name: The In Between
Genre: Romance, Science Fiction, Drama
Released: 2022-02-11
Duration: 1 h 56 min
Cast: Joey King, Kyle Allen, Kim Dickens, John Ortiz, Celeste O'Connor

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Not for laughs.

Movies with

Story

Love never dies.

After surviving a car accident that took the life of her boyfriend, a teenage girl believes he's attempting to reconnect with her from the after world.

Feels like

Teen Supernatural Romance
Grief & Loss Drama
Afterlife Connection
Emotional Journey
Heartfelt Story
Modern Love Story
Moving & Somber
Young Adult Themes
Supernatural Mystery

Cast

18 of 18

Crew

Directed by: Arie Posin
Written by: Marc Klein
Produced by: Joey King, Andrew Deane, Robbie Brenner
Music by: J.J. Pfeifer

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Facts

February 11, 2022 · 1 h 56 min · PG-13

Released: February 11, 2022
Runtime: 1 h 56 min
Age rating: PG-13
Content: Disturbing Imagery
Genres: Romance, Science Fiction, Drama
Original language: English
Made in: United States
Available in: 131 countries

Q&A

5 questions, like "Where can I stream The In Between?"

Questions about The In Between

Quick answers from GoodWatch data.

Where can I stream The In Between?

Hoopla

In the United States, The In Between is free with ads on Hoopla. You can rent or buy it from Apple TV Store, Google Play Movies, YouTube, and Fandango At Home. It also streams in 130 other countries.

Is The In Between worth watching?

61

DecentGoodWatch score

Opinions are mixed, with a GoodWatch score of 61 (IMDb 6 and Rotten Tomatoes 64%). Critics rate it higher (64 out of 100) than audiences (53).

Is The In Between okay for kids?

PG-13Disturbing imagery

Not for young kids: it's rated PG-13 in the United States for disturbing imagery, and the viewing guide lists it for teens and adults.

Is The In Between good for date night?

Partner WatchAdultsFriends NightSolo WatchTeens

It suits a quiet night in as a couple: romance is 9 of 10, but the viewing guide doesn't list it for date night.

Is The In Between plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on pathos (8 of 10) and character depth (7 of 10) more than on its plot.