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Teach Me

2021Movie7 min

85
ExcellentGoodWatch score

A moving, wholesome documentary movie about everyday modern life and society.

Good for family movie night · friends night · kids

Skip it if you want something to laugh at

Where to watch

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Not streaming in any country yet.

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Not for laughs, scares or brutality.

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Story

Children at UK schools with individual special educational needs (SEN) make up 14.9% of the student population (a figure that is predicted to rise). So it raises questions to why the education system isn’t adapting to meet these needs? And, how does it feel to be one of these kids stuck in an institution which isn’t accommodating you? Teach Me as a documentary sets out to understand these experiences in the present moment from children who are at the age when school makes up a large portion of their daily experiences. The documentary interviews four children all ages 12 and 13 and each of them with individual and overlapping SEN. Using childlike paper cut-outs and school supplies to form a stylish stop motion that transports you into the world/mind of Dan, Lydia, Martha and Annie.

Feels like

  • Special Needs Advocacy
  • Child-Centered Documentary
  • Stop-Motion Visual Metaphor
  • Educational System Critique
  • Empathy Building
  • Adolescent Perspective
  • Inclusive Education
  • Emotional Authenticity
  • Social Realism

Crew

Directed by
Anna Cottrill
Produced by
Anna Boronea

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

December 4, 2021 · 7 min · Documentary

Released
December 4, 2021
Runtime
7 min
Genres
Documentary
Original language
English
Made in
United Kingdom

Q&A

3 questions, like "Is Teach Me worth watching?"

Questions about Teach Me

Quick answers from GoodWatch data.

Is Teach Me worth watching?

85
ExcellentGoodWatch score

Yes, it's widely acclaimed, with a GoodWatch score of 85 (IMDb 8.5).

Is Teach Me okay for kids?

Yes: the viewing guide lists it for kids.

Is Teach Me plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on dialogue centrality (9 of 10) and pathos (8 of 10) more than on its plot.