Sign up
Trailer

Nothing Compares

2022Movie1 h 36 minNR

DocumentaryMusic
82
GreatGoodWatch score
IMDb7.6Metacritic767.1Rotten Tomatoes99%86%
82
GreatGoodWatch score
IMDb7.6Metacritic767.1Rotten Tomatoes99%86%

Summary

Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.

Good for

  • Friends night
  • Teens
  • Thought-provoking

Where to watch

Fingerprint

Not for laughs, scares or comfort.

Movies with

Cast

15 of 15

Crew

Directed by
Kathryn Ferguson
Written by
Eleanor Emptage, Michael Mallie, Kathryn Ferguson
Produced by
Eleanor Emptage, Michael Mallie
Music by
Irene Buckley, Linda Buckley

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

September 23, 2022 · 1 h 36 min · NR

Released
September 23, 2022
Runtime
1 h 36 min
Age rating
NR
Content
Strong Language, Suicide Themes
Genres
Documentary, Music
Original language
English
Also spoken
German
Made in
Ireland, United Kingdom, United States
Available in
8 countries

Q&A

3 questions, like "Where can I stream Nothing Compares?"

Questions about Nothing Compares

Quick answers from GoodWatch data.

Where can I stream Nothing Compares?

fuboTVParamount+Paramount+ with Showtime

In the United States, Nothing Compares streams on fuboTV, Paramount+, and Paramount+ with Showtime. You can rent or buy it from Google Play Movies, YouTube, Fandango At Home, and Microsoft Store. It also streams in 5 other countries.

Is Nothing Compares worth watching?

82
GreatGoodWatch score

Yes, it's widely acclaimed, with a GoodWatch score of 82 (IMDb 7.6, Rotten Tomatoes 99%, and Metacritic 76). Critics rate it higher (88 out of 100) than audiences (78).

Is Nothing Compares plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on character depth (8 of 10) and dialogue centrality (8 of 10) more than on its plot.