
C
Writing
Clarence Marks
- Career
Active from 1929 to 1943, with up to 2 main titles a year.
- Leading roles
- 0top three billing
- Average score
55/100
- Highest rated
Brooklyn Orchid62/100
What stands out
Compared with the average well-known movie, over 5 of their titles. Select a trait to filter titles.
Rarely in their work
- Contemporary Realism0.9, average 5.4
- Psychological3.4, average 5.5
- Family Dynamics3.2, average 4.8
- Melancholy3.1, average 4.7
Main genres
Select a genre to see those titles.
Recurring tags
- Lighthearted 2
- Fast-Paced 2
- Screwball Comedy 2
- Heartwarming 2
Works often with
People in at least two of their main titles.
- EEarle SnellWriterNazty Nuisance, Half a Sinner, The McGuerins from Brooklyn, Brooklyn Orchid, Rainbow on the River, +2 more
Kurt NeumannDirectorHalf a Sinner, The McGuerins from Brooklyn, Brooklyn Orchid, The Affair of Susan, Rainbow on the River, +1 more- RRobert PittackCinematographerNazty Nuisance, The McGuerins from Brooklyn, Brooklyn Orchid, Taxi, Mister
Grace BradleyActorThe McGuerins from Brooklyn, Brooklyn Orchid, Taxi, Mister
William BendixActorThe McGuerins from Brooklyn, Brooklyn Orchid, Taxi, Mister
Slim SummervilleActorLove Birds, Her First Mate, Horse Play
Joe SawyerActorThe McGuerins from Brooklyn, Brooklyn Orchid, Taxi, Mister
Zasu PittsActorLove Birds, The Affair of Susan, Her First Mate- EEdward WardComposerNazty Nuisance, Brooklyn Orchid, Taxi, Mister
- GGeorge RobinsonCinematographerHalf a Sinner, Her First Mate, Horse Play
Frank FaylenActorNazty Nuisance, Taxi, Mister
Berton ChurchillActorHalf a Sinner, Her First Mate
Movies and TV shows
21Type
Role
Score
Decade
Genre
Group by
1960s
1 title Β· average score 72

GoodWatch score 72Producer's Assistant
1950s
1 title Β· average score 74

GoodWatch score 74Dialogue Coach
1940s
4 titles Β· average score 52

GoodWatch score 43Screenplay
Screenplay

GoodWatch score 62Screenplay
1930s
12 titles Β· average score 35
Writer

GoodWatch score 35Dialogue
Screenplay
Story
Writer
Screenplay
Dialogue
Writer
Additional Dialogue















