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Acting

Takao Inoue

Career

Active from 1970 to 1983, busiest in 1983 with 2 main titles.

Leading roles
2
top three billing
Average score
GoodWatch score75/100
Highest rated
Poster for Barefoot Gen
Barefoot Gen
GoodWatch score75/100

What stands out

Compared with the average well-known movie, over 4 of their titles. Select a trait to filter titles.

Energy: 4.6 versus catalog average 4.5EnergyHeart: 5.0 versus catalog average 4.2HeartHumor: 2.7 versus catalog average 2.6HumorWorld: 6.2 versus catalog average 5.6WorldCraft: 5.7 versus catalog average 5.3CraftStyle: 6.3 versus catalog average 5.9Style
Takao Inoue Catalog average

Rarely in their work

  • Contemporary Realism
    0.4, average 5.4
  • Mystery
    1.4, average 3.9
  • Crime
    1.1, average 3.5
  • Romance
    2.7, average 3.8

Main genres

Select a genre to see those titles.

Recurring tags

    Works often with

    People in at least two of their main titles.

      Movies and TV shows

      9
      Type
      Role
      Score
      Decade
      Genre
      Group by

      2020s

      1 title
      Perfume Imaginary Museum “Time Warp”
      Perfume Imaginary Museum “Time Warp” (2020)

      Producer

      1980s

      4 titles · average score 72
      Barefoot Gen 2
      Barefoot Gen 2 (1986)
      GoodWatch score 70

      as Father (voice)

      Barefoot Gen
      Barefoot Gen (1983)
      GoodWatch score 75

      as Daikichi Nakaoka (voice)

      Fiddler on the Roof
      Fiddler on the Roof (1983)

      as Perchik

      Matsumoto Seicho's Black Leather Notebook
      Matsumoto Seicho's Black Leather Notebook (1982)

      TV show · as Murai Toru

      1970s

      3 titles
      Megaloman
      Megaloman (1979)

      TV show · as Sougen Takamine

      Kage no tsume
      Kage no tsume (1972)

      as Akira

      Hana no fushicho
      Hana no fushicho (1970)

      as Takuya Kami

      1960s

      1 title · average score 76
      Japan's Longest Day
      Japan's Longest Day (1967)
      GoodWatch score 76

      as Lt. Colonel Masahiko Takeshita