R

Writing

Ronald Millar

Career

Active from 1943 to 1967, busiest in 1954 with 2 main titles.

Leading roles
0
top three billing
Average score
GoodWatch score60/100
Highest rated
Poster for Scaramouche
Scaramouche
GoodWatch score75/100

What stands out

Compared with the average well-known movie, over 9 of their titles. Select a trait to filter titles.

Energy: 4.1 versus catalog average 4.6EnergyHeart: 4.6 versus catalog average 4.2HeartHumor: 1.5 versus catalog average 2.6HumorWorld: 5.3 versus catalog average 5.6WorldCraft: 5.3 versus catalog average 5.3CraftStyle: 5.7 versus catalog average 5.9Style
Ronald Millar Catalog average

Rarely in their work

  • Contemporary Realism
    0.3, average 5.4
  • Coming of Age
    1.0, average 3.0
  • Pop Culture
    0.3, average 2.2
  • Situational Comedy
    1.2, average 2.7

Main genres

Select a genre to see those titles.

Recurring tags

  • Character-Driven 3
  • Mystery 2
  • Historical Context 2
  • Psychological Tension 2

Works often with

People in at least two of their main titles.

Movies and TV shows

11
Type
Role
Score
Decade
Genre
Group by

1950s

6 titles ยท average score 58
Betrayed
Betrayed (1954)
GoodWatch score 58

Writer

Rose Marie
Rose Marie (1954)
GoodWatch score 43

Screenplay

Never Let Me Go
Never Let Me Go (1953)
GoodWatch score 61

Screenplay

Scaramouche
Scaramouche (1952)
GoodWatch score 75

Screenplay

The Unknown Man
The Unknown Man (1951)
GoodWatch score 52

Screenplay

The Miniver Story
The Miniver Story (1950)
GoodWatch score 56

Writer

1940s

5 titles ยท average score 63
Train of Events
Train of Events (1949)
GoodWatch score 64

Screenplay

So Evil My Love
So Evil My Love (1948)
GoodWatch score 63

Screenplay

Frieda
Frieda (1947)
GoodWatch score 63

Screenplay, Theatre Play

Beware of Pity
Beware of Pity (1946)
GoodWatch score 65

as Tabor

We Dive at Dawn
We Dive at Dawn (1943)
GoodWatch score 61

as Third Officer - Lt. Johnson, RNVR