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Camera

Henri Persin

Career

Active from 1955 to 1971, busiest in 1964 with 3 main titles.

Leading roles
0
top three billing
Average score
GoodWatch score53/100
Highest rated
Poster for Cemetery without Crosses
Cemetery without Crosses
GoodWatch score62/100

Awards

Reported results for this person. Coverage is incomplete; these results don't establish award totals.

  • Academy Awards · Best Cinematography, Black-and-White

    1963 · Won · 35th Academy Awards

    The Longest Day

    Source: Wikidata

What stands out

Compared with the average well-known movie, over 8 of their titles. Select a trait to filter titles.

Energy: 4.8 versus catalog average 4.5EnergyHeart: 3.7 versus catalog average 4.2HeartHumor: 3.7 versus catalog average 2.6HumorWorld: 5.6 versus catalog average 5.6WorldCraft: 5.0 versus catalog average 5.3CraftStyle: 5.7 versus catalog average 5.9Style
Henri Persin Catalog average

Rarely in their work

  • Contemporary Realism
    0.5, average 5.4
  • Psychological
    3.8, average 5.5
  • Coming of Age
    1.5, average 3.0
  • Pathos
    3.8, average 5.2

Main genres

Select a genre to see those titles.

Recurring tags

  • Slapstick Humor 2

Works often with

People in at least two of their main titles.

Movies and TV shows

22
Type
Role
Score
Decade
Genre
Group by

1970s

3 titles · average score 52
The Legend of Frenchie King
The Legend of Frenchie King (1971)
GoodWatch score 51

Director of Photography

Macédoine
Macédoine (1971)

Director of Photography

El Condor
El Condor (1970)
GoodWatch score 52

Director of Photography

1960s

15 titles · average score 62
Cemetery without Crosses
Cemetery without Crosses (1969)
GoodWatch score 62

Director of Photography

Viva Max!
Viva Max! (1969)
GoodWatch score 58

Director of Photography

The Sergeant
The Sergeant (1968)
GoodWatch score 43

Director of Photography

I Killed Rasputin
I Killed Rasputin (1967)

Director of Photography

Brigade Anti Gangs
Brigade Anti Gangs (1966)

Director of Photography

What's New Pussycat?
What's New Pussycat? (1965)
GoodWatch score 43

Second Unit Director of Photography

The Exterminators
The Exterminators (1965)

Director of Photography

License to Kill
License to Kill (1964)

Director of Photography

Let the Shooters Shoot
Let the Shooters Shoot (1964)

Director of Photography

Jeff Gordon, Secret Agent
Jeff Gordon, Secret Agent (1964)

Director of Photography

Charade
Charade (1963)
GoodWatch score 85

Second Unit Cinematographer

The Longest Day
The Longest Day (1962)
GoodWatch score 75

Additional Photography

1950s

4 titles
Houla-Houla
Houla-Houla (1959)

Cinematography

Van Gogh: Darkness into Light
Van Gogh: Darkness into Light (1957)

Director of Photography

Samba Fantástico
Samba Fantástico (1955)

Director of Photography

Le Mans 1952
Le Mans 1952 (1952)

Camera Operator