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Trailer

Dangerous Minds

1996 – 1997Show1 season17 episodes

Drama
54
MediocreGoodWatch score
IMDb6.2Metacritic65–Rotten Tomatoes53%–
54
MediocreGoodWatch score
IMDb6.2Metacritic65–Rotten Tomatoes53%–

Summary

Dangerous Minds is an American drama television series that aired on ABC network between September 1996 and March 1997. The series is based on the motion picture film, Dangerous Minds. Annie Potts stars in the lead role originated by Michelle Pfeiffer.

Good for

  • Family movie night
  • Friends night
  • Teens

Where to watch

Set your services

Not streaming in any country yet.

Fingerprint

Not for laughs, scares or awe.

Shows with

Cast

24 of 57 · most episodes first

Crew

Directors
James Hayman
Written by
Ronald Bass, Diane Frolov, Andrew Schneider
Produced by
Jerry Bruckheimer, Diane Frolov

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

September 30, 1996 · March 15, 1997 · Ended

First aired
September 30, 1996
Last aired
March 15, 1997
Status
Ended
Length
1 season · 17 episodes
Content
Violence, Strong Language, Drug Use
Genres
Drama
Original language
English
Made in
United States

Q&A

5 questions, like "Is Dangerous Minds worth watching?"

Questions about Dangerous Minds

Quick answers from GoodWatch data.

Is Dangerous Minds worth watching?

54
MediocreGoodWatch score

Opinions are mixed, with a GoodWatch score of 54 (IMDb 6.2, Rotten Tomatoes 53%, and Metacritic 65).

Is Dangerous Minds okay for kids?

ViolenceStrong languageDrug use

Yes: its content advisories are violence, strong language, and drug use, and the viewing guide lists it for family nights.

How long does it take to watch Dangerous Minds?

12 h

About 12 hours: 17 episodes in 1 season of about 42 minutes each, aired from 1996 to 1997.

Can I half-watch Dangerous Minds?

Easy watchDemanding

Yes: it's easy to follow, with complexity at only 3 of 10, and the viewing guide calls it good for background watching.

Is Dangerous Minds plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on pathos (7 of 10) and dialogue centrality (7 of 10) more than on its plot.