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America 2-Night

1978Show1 season65 episodes

Comedy
84
GreatGoodWatch score
IMDb8.5
84
GreatGoodWatch score
IMDb8.5

Summary

America 2-Night is the continuation of the talk-show parody series Fernwood 2 Night. It ran from April to July 1978. As in Fernwood, Barth Gimble was the host and Jerry Hubbard was his co-host. Happy Kyne and the Mirth-Makers was the band.

Good for

  • Friends night
  • Background watch
  • Binge-friendly

Where to watch

Set your services

Not streaming in any country yet.

Fingerprint

Not for scares, brutality or tears.

Shows with

America 2-Night episodes

1 season · 65 episodes

  1. S1 E1 60 Seconds of Fame, 6.4
  2. S1 E8 Barbara Feldon & Jason Shine, 8.0
  3. S1 E13 Vicki Carr, 8.2
  4. S1 E17 Cindy Williams, 8.6
  5. S1 E34 Rolletti-Sherwood Wedding, 8.4
  6. S1 E47 Daredevil Virgil Simms, 8.0
  7. S1 E51 Falafel-on-a-Stick, 8.3
  8. S1 E53 Olfactory Distosis Telethon, 8.2
  9. S1 E54 Oral Smoke Alarm, 8.6
  10. S1 E58 Steve Garvey, 7.6
  11. S1 E60 The UBS Story, 8.4

Cast

10 of 10 · most episodes first

Crew

Written by
Harry Shearer, Alan Thicke, Dan Wilcox

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

April 10, 1978 · July 7, 1978 · Ended

First aired
April 10, 1978
Last aired
July 7, 1978
Status
Ended
Length
1 season · 65 episodes
Content
Strong Language, Sexual Content
Genres
Comedy
Original language
English
Made in
United States

Q&A

4 questions, like "Is America 2-Night worth watching?"

Questions about America 2-Night

Quick answers from GoodWatch data.

Is America 2-Night worth watching?

84
GreatGoodWatch score

Yes, it's widely acclaimed, with a GoodWatch score of 84 (IMDb 8.5).

How long does it take to watch America 2-Night?

33 h

About 33 hours: 65 episodes in 1 season of about 30 minutes each, aired from 1978 to 1978.

Will America 2-Night make me laugh?

Very funny

Yes, a lot: the humor is mostly satire (10 of 10) and sharp wit (9 of 10).

Is America 2-Night plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on dialogue centrality (9 of 10) and character depth (6 of 10) more than on its plot.