Trailer

Geddy Lee Asks: Are Bass Players Human Too?

2023 – nowShow1 season4 episodes

77
GreatGoodWatch score
77
GreatGoodWatch score

Summary

Famed Rush bassist Geddy Lee travels to the homes of some of music’s most renowned bass players and digs into the stories that make these musicians stand out.

Good for

  • Family movie night
  • Friends night
  • Party vibe

Where to watch

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What's new on Paramount+

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Not for brutality, scares or laughs.

Shows with

Geddy Lee Asks: Are Bass Players Human Too? episodes

1 season · 4 episodes

  1. S1 E1 Les Claypool, 9.2
  2. S1 E2 Robert Trujillo, 8.5
  3. S1 E3 Melissa Auf Der Maur, 7.2
  4. S1 E4 Krist Novoselic, 8.5

Cast

Crew

Directors
Sam Dunn
Written by
Daniel Richler
Produced by
Allan Weinrib

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

December 5, 2023 · December 5, 2023 · Still running

First aired
December 5, 2023
Latest episode
December 5, 2023
Status
Still running
Length
1 season · 4 episodes
Genres
Documentary
Original language
English
Made in
United States
Available in
29 countries

Q&A

5 questions, like "Where can I stream Geddy Lee Asks: Are Bass Players Human Too??"

Questions about Geddy Lee Asks: Are Bass Players Human Too?

Quick answers from GoodWatch data.

Where can I stream Geddy Lee Asks: Are Bass Players Human Too??

In the United States, Geddy Lee Asks: Are Bass Players Human Too? streams on Paramount+. It also streams in 28 other countries.

Is Geddy Lee Asks: Are Bass Players Human Too? worth watching?

77
GreatGoodWatch score

Mostly, it's well received, with a GoodWatch score of 77 (IMDb 8.2).

Is Geddy Lee Asks: Are Bass Players Human Too? okay for kids?

Yes: the viewing guide lists it for family nights.

Will I feel good after watching Geddy Lee Asks: Are Bass Players Human Too??

BleakHopeful

Yes, it's an uplifting series: the title analysis rates it 7 of 10 for hopefulness and 7 for wholesome.

Is Geddy Lee Asks: Are Bass Players Human Too? plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on dialogue centrality (9 of 10) and character depth (8 of 10) more than on its plot.