4.8
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At the Hotel fingerprint
Funny, low-key.
Energy
Calm and low-key
- Tension4
- Fast Pace4
- Spectacle3
Heart
Emotionally reserved
- Pathos6
- Romance5
- Melancholy5
Humor
Some situational comedy and sharp wit
Not a comedy at heart.
- Situational Comedy7
- Wit & Wordplay7
- Satire & Parody5
World
Everyday modern life and show business
- Dialogue Centrality8
- World Immersion7
- Rewatchability6
Craft
Standout dialogue and characters
- Dialogue Quality8
- Character Depth8
- Direction7
Style
Standout score
- Music Centrality9
- Music Composition8
- Cinematography6
All energy traits
- Tension4Edge-of-your-seat suspense and pressure.
- Fast Pace4Quick tempo and momentum.
- Spectacle3Scale and set-piece grandeur.
- Adrenaline2High-energy, pulse-pounding intensity.
- Violence1Physical conflict and intensity.
- Scare0Frightening moments and scares.
Related traits
- Slow Burn6Gradual build with payoff.
Heart
MediumEmotionally reserved
It keeps its emotions at a distance.
All heart traits
- Pathos6Deeply moving, empathetic emotion.
- Romance5Love stories and emotional connections.
- Melancholy5Bittersweet, reflective sadness.
- Hopefulness5Optimism and uplifting resolve.
- Catharsis5Emotional release and payoff.
- Family Dynamics5Relationships and generational ties.
- Wholesome4Heartwarming, uplifting feelings.
- Wonder2Awe, discovery, and amazement.
- Coming of Age1Personal growth and self-discovery.
- Nostalgia0Warmth of memory and retro vibes.
Related traits
- Character Depth8Rich, complex characterization.
Humor
HighSome situational comedy and sharp wit
Not a comedy at heart.
Expect some situational comedy and sharp wit.
All humor traits
- Situational Comedy7Humor from everyday scenarios and setups.
- Wit & Wordplay7Clever dialogue and verbal humor.
- Satire & Parody5Sharp critique and playful imitation.
- Cringe Humor4Awkward, uncomfortable laughs.
- Dark Humor4Humor from taboo or grim topics.
- Physical Comedy3Slapstick and visual gags.
- Absurdist Humor2Surreal, nonsensical comedy.
Related traits
- Eccentricity7Oddball tone and quirks.
World
MediumEveryday modern life and show business
Its world is built around everyday modern life and show business.
All world traits
- Dialogue Centrality8Stories driven by conversation.
- World Immersion7Depth and sensory richness of setting.
- Rewatchability6Invites repeat viewing.
- Novelty6Fresh ideas and invention.
- Ambiguity4Open-endedness and uncertainty.
Related traits
- Contemporary Realism9Modern, grounded storytelling.
- Showbiz8Entertainment industry and performance.
- Psychological6Inner worlds and mind games.
- Pop Culture6References and cultural commentary.
- Social Commentary6Perspectives on society and norms.
Craft
MediumStandout dialogue and characters
The dialogue and characters stand out.
All craft traits
- Dialogue Quality8Sharp writing and memorable lines.
- Character Depth8Rich, complex characterization.
- Direction7Vision and command behind the camera.
- Acting7Performance craft and presence.
- Narrative Structure6Story architecture and form.
- Intrigue5Curiosity and investigative pull.
- Complexity5Layered plots and ideas.
- Non-linear Narrative1Time-shifts and structure play.
- Meta Narrative0Stories about storytelling.
Related traits
- Novelty6Fresh ideas and invention.
- Slow Burn6Gradual build with payoff.
All style traits
- Music Centrality9The score or soundtrack shapes the emotional experience.
- Music Composition8Score and musical identity.
- Cinematography6Visual composition and camera work.
- Editing6Pacing and structure through cuts.
- Sound Centrality6Sound design as core element.
- Visual Stylization5Distinctive aesthetic signature.
Related traits
- Dialogue Centrality8Stories driven by conversation.
Who it's for
AdultsFriends NightPartner WatchSolo WatchBinge-FriendlyComfort WatchDrop-in FriendlyPure EscapismThought-Provoking
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Episode ratings
| Season | Episode 1 | Episode 2 | Episode 3 | Episode 4 | Episode 5 | Episode 6 |
|---|---|---|---|---|---|---|
| Episode 2 not rated | Episode 4 not rated |
| Episode | |
|---|---|
| Episode 1 | |
| Episode 2 | Episode 2 not rated |
| Episode 3 | |
| Episode 4 | Episode 4 not rated |
| Episode 5 | |
| Episode 6 |
About
At the Hotel is a Canadian drama-comedy-musical mini-series concerning the goings-on at an illustrious Montreal hotel, known for its favourable treatment of struggling artists. Created by Ken Finkleman and produced by One Hundred Percent Television, the series aired on CBC Television in 2006. The music is composed by Robert Carli. This is the only Ken Finkleman production in which he did not cast himself as a character. He does however make a very brief on-screen appearance as a member of the crew shooting a music video in the hotel.
Canadian DramedyMusical SeriesHotel SettingArtistic CommunityCharacter EnsembleContemporary Slice-of-LifeWitty DialogueBehind the ScenesQuirky & Humorous
Actors
Crew
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Sequels and Prequels
No sequels or prequels available
Media
Questions about At the Hotel
Quick answers from GoodWatch data.
Is At the Hotel worth watching?
69
GoodGoodWatch scoreMostly. It's well received, with a GoodWatch score of 69/100 (IMDb 4.8). The GoodWatch score combines critic and audience ratings.
What is At the Hotel rated?
NRStrong languageSexual content
It's rated NR in the United States. Content advisories: strong language and sexual content.
How many seasons does At the Hotel have?
1 season
It has 1 season with 6 episodes.
When did At the Hotel air?
S1
It ran from 2006 to 2006 and has ended.
What language is At the Hotel in?
English
It was made in English. Produced in Canada.