7.8
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In the Red fingerprint
Funny, immersive world, light on feelings.
Energy
Tense
- Tension7
- Fast Pace6
- Adrenaline5
Heart
Emotionally reserved
- Nostalgia6
- Catharsis5
- Pathos4
Humor
Plenty of sharp wit and dark humor
- Wit & Wordplay8
- Dark Humor8
- Situational Comedy7
World
Everyday modern life, crime, and mystery
- Dialogue Centrality9
- World Immersion7
- Rewatchability7
Craft
Standout dialogue, performances, and characters
- Dialogue Quality9
- Intrigue9
- Acting8
Style
Functional look and sound
- Cinematography6
- Editing6
- Sound Centrality6
All energy traits
- Tension7Edge-of-your-seat suspense and pressure.
- Fast Pace6Quick tempo and momentum.
- Adrenaline5High-energy, pulse-pounding intensity.
- Spectacle3Scale and set-piece grandeur.
- Violence3Physical conflict and intensity.
- Scare2Frightening moments and scares.
Related traits
- Slow Burn5Gradual build with payoff.
- Bleakness5Grim, stark outlooks.
All heart traits
- Nostalgia6Warmth of memory and retro vibes.
- Catharsis5Emotional release and payoff.
- Pathos4Deeply moving, empathetic emotion.
- Hopefulness4Optimism and uplifting resolve.
- Family Dynamics4Relationships and generational ties.
- Wholesome3Heartwarming, uplifting feelings.
- Melancholy3Bittersweet, reflective sadness.
- Romance2Love stories and emotional connections.
- Wonder2Awe, discovery, and amazement.
- Coming of Age0Personal growth and self-discovery.
Related traits
- Character Depth8Rich, complex characterization.
- Bleakness5Grim, stark outlooks.
Humor
HighPlenty of sharp wit and dark humor
Expect plenty of sharp wit and dark humor.
All humor traits
- Wit & Wordplay8Clever dialogue and verbal humor.
- Dark Humor8Humor from taboo or grim topics.
- Situational Comedy7Humor from everyday scenarios and setups.
- Cringe Humor5Awkward, uncomfortable laughs.
- Satire & Parody5Sharp critique and playful imitation.
- Physical Comedy4Slapstick and visual gags.
- Absurdist Humor4Surreal, nonsensical comedy.
Related traits
- Eccentricity8Oddball tone and quirks.
World
HighEveryday modern life, crime, and mystery
Its world is built around everyday modern life, crime, and mystery.
All world traits
- Dialogue Centrality9Stories driven by conversation.
- World Immersion7Depth and sensory richness of setting.
- Rewatchability7Invites repeat viewing.
- Ambiguity6Open-endedness and uncertainty.
- Novelty6Fresh ideas and invention.
Related traits
- Contemporary Realism9Modern, grounded storytelling.
- Crime9Heists, investigation, and underworld.
- Mystery9Whodunnits and unraveling secrets.
- Psychological7Inner worlds and mind games.
- Politics6Thought-provoking works exploring political themes.
- Showbiz6Entertainment industry and performance.
Craft
HighStandout dialogue, performances, and characters
The dialogue, performances, and characters stand out.
All craft traits
- Dialogue Quality9Sharp writing and memorable lines.
- Intrigue9Curiosity and investigative pull.
- Acting8Performance craft and presence.
- Character Depth8Rich, complex characterization.
- Direction7Vision and command behind the camera.
- Narrative Structure7Story architecture and form.
- Complexity7Layered plots and ideas.
- Non-linear Narrative2Time-shifts and structure play.
- Meta Narrative1Stories about storytelling.
Related traits
- Novelty6Fresh ideas and invention.
- Fast Pace6Quick tempo and momentum.
- Slow Burn5Gradual build with payoff.
All style traits
- Cinematography6Visual composition and camera work.
- Editing6Pacing and structure through cuts.
- Sound Centrality6Sound design as core element.
- Music Composition5Score and musical identity.
- Music Centrality5The score or soundtrack shapes the emotional experience.
- Visual Stylization4Distinctive aesthetic signature.
Related traits
- Dialogue Centrality9Stories driven by conversation.
Who it's for
AdultsFriends NightPartner WatchPublic Viewing SafeSolo WatchBackground WatchBinge-FriendlyThought-Provoking
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Episode ratings
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About
In the Red is a three-part BBC Two black comedy crime miniseries adapted by Malcolm Bradbury from Mark Tavener's novel of the same name, which had been inspired by the writer's early experiences working for the BBC and the Liberal Party.
The serial stars Warren Clarke as BBC Reporter George Cragge and Alun Armstrong as Police Superintendent Frank Jefferson, investigating a series of murders of London bank managers, a small political party contesting a by-election, and a plan to overthrow the Director-General of the BBC.
British Crime MysteryDarkly ComedicIrreverent ProtagonistSerial Killer PlotWitty DialogueIntriguing WhodunitUnderstated HumorCharacter-Driven PlotPolice Procedural Twist
Actors
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Sequels and Prequels
No sequels or prequels available
Media
Questions about In the Red
Quick answers from GoodWatch data.
Is In the Red worth watching?
69
GoodGoodWatch scoreMostly. It's well received, with a GoodWatch score of 70/100 (IMDb 7.8). The GoodWatch score combines critic and audience ratings.
What is In the Red rated?
Strong language
Content advisories: strong language.
How many seasons does In the Red have?
1 season
It has 1 season with 3 episodes of about 57 minutes each.
Is In the Red based on a true story?
No. It's adapted from a novel.
When did In the Red air?
S1
It ran from 1998 to 1998 and has ended.
What language is In the Red in?
English
It was made in English. Produced in United Kingdom.
What tropes does In the Red use?
Serial Killings, Specific TargetHumiliation CongaMeaningful NameAdipose RexCloud CuckoolanderDysfunction JunctionGenius DitzCar Meets HouseAnd There Was Much RejoicingFailure GambitJerkassOverly Literal Transcriptionand 6 more
TV Tropes lists 18 storytelling tropes for In the Red, including Serial Killings, Specific Target, Humiliation Conga, Meaningful Name.