Trailer

The Man Without a Face

1993Movie1 h 55 minPG-13

66
GoodGoodWatch score
66
GoodGoodWatch score

Summary

Justin McLeod is a former teacher who lives as a recluse on the edge of town after his face is disfigured from an automobile accident ten years earlier, in which a boy was incinerated--and for which he was convicted of involuntary manslaughter. Also suspected of being a paedophile, he is befriended by Chuck, causing the town's suspicions and hostility to be ignited.

Good for

  • Date night
  • Friends night
  • Teens

Skip it if

  • You want fast pacing

Where to watch

Fingerprint

Not for scares or laughs.

Movies with

Cast

Crew

Directed by
Mel Gibson
Produced by
Bruce Davey
Music by
James Horner

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

August 25, 1993 · 1 h 55 min · PG-13

Released
August 25, 1993
Runtime
1 h 55 min
Age rating
PG-13
Content
Strong Language
Genres
Drama
Original language
English
Made in
United States
Budget
$20 million
Box office
$37 million
Available in
19 countries

Q&A

4 questions, like "Where can I stream The Man Without a Face?"

Questions about The Man Without a Face

Quick answers from GoodWatch data.

Where can I stream The Man Without a Face?

In the United States, The Man Without a Face streams on Prime, and it is free with ads on Plex, The Roku, The CW, Hoopla, Pluto TV, Fawesome, and Tubi TV. You can rent or buy it from Apple TV Store, Google Play Movies, YouTube, and Fandango At Home. It also streams in 9 other countries.

Is The Man Without a Face worth watching?

66
GoodGoodWatch score

Mostly, it's well received, with a GoodWatch score of 66 (IMDb 6.7, Letterboxd 3.3 out of 5, Rotten Tomatoes 68%, and Metacritic 62).

Is The Man Without a Face okay for kids?

PG-13Strong language

Not for young kids: it's rated PG-13 in the United States for strong language, and the viewing guide lists it for teens and adults.

Is The Man Without a Face plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on character depth (8 of 10) and pathos (8 of 10) more than on its plot.