Trailer

Last Train to Fortune

2026Movie1 h 34 minPG-13

78
GreatGoodWatch score

A heartwarming, uplifting drama movie about history, with standout dialogue.

Good for date night · family movie night · friends night

Skip it if you want dark or edgy material

Where to watch

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Not for scares, brutality or romance.

Movies with

Story

Is the book mightier than the gun?

When schoolteacher Cecil Peachtree misses the last train to Fortune, he strikes a deal with outlaw Dooley to secure safe and timely travel. On the journey, the two develop an odd friendship through the power of knowledge.

Feels like

  • Heartwarming Western Buddy Film
  • Intellectual Odd-Couple Dynamic
  • Historical Period Piece
  • Dialogue-Driven Narrative
  • Gentle Coming-of-Age (for Adults)
  • Wholesome & Uplifting
  • Nostalgic Americana
  • Philosophical Road Trip

Cast

Crew

Directed by
Adam Rifkin
Written by
Michele Rifkin

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

September 17, 2026 · 1 h 34 min · PG-13

Released
September 17, 2026
Runtime
1 h 34 min
Age rating
PG-13
Genres
Drama, Western
Original language
English
Made in
United States, United Kingdom
Available in
16 countries

Q&A

5 questions, like "Where can I stream Last Train to Fortune?"

Questions about Last Train to Fortune

Quick answers from GoodWatch data.

Where can I stream Last Train to Fortune?

In the United States, Last Train to Fortune is free with ads on Plex and Tubi TV. It also streams in 15 other countries.

Is Last Train to Fortune worth watching?

78
GreatGoodWatch score

Mostly, it's well received, with a GoodWatch score of 78 (IMDb 5.6).

Is Last Train to Fortune okay for kids?

PG-13

Yes: it's rated PG-13 in the United States, and the viewing guide lists it for kids.

Will I feel good after watching Last Train to Fortune?

BleakHopeful

Yes, it's an uplifting movie: the title analysis rates it 9 of 10 for hopefulness and 9 for wholesome.

Is Last Train to Fortune plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on dialogue centrality (9 of 10) and character depth (8 of 10) more than on its plot.