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Rachel Bloom: Death, Let Me Do My Special

2024Movie1 h 17 min

Comedy
82
GreatGoodWatch score
IMDb6.6Rotten Tomatoes100%–

A quirky, cathartic comedy movie about a real life story and everyday modern life, with standout performances and score.

Good for date night · friends night · party vibe

Where to watch

Set your services

Not streaming in United States. Where it is:

Fingerprint

Not for scares or brutality.

Movies with

Story

Comedian and actor Rachel Bloom muses on birth, death, cosmic uncertainty and pungent trees in this whimsical and reflective musical comedy special.

Feels like

  • Musical Comedy
  • Existential Humor
  • Whimsical Reflection
  • Autobiographical
  • Darkly Hilarious
  • Song-driven Narrative
  • Quirky Performance
  • Thought-Provoking Comedy
  • Unconventional Stand-up

Cast

2 of 2

Crew

Directed by
Seth Barrish
Written by
Rachel Bloom
Produced by
Mike Lavoie, Carlee Briglia
Music by
Jerome Kurtenbach

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

October 15, 2024 · 1 h 17 min · Strong Language

Released
October 15, 2024
Runtime
1 h 17 min
Content
Strong Language
Genres
Comedy
Original language
English
Made in
United States
Available in
1 country

Q&A

4 questions, like "Where can I stream Rachel Bloom: Death, Let Me Do My Special?"

Questions about Rachel Bloom: Death, Let Me Do My Special

Quick answers from GoodWatch data.

Where can I stream Rachel Bloom: Death, Let Me Do My Special?

It streams in 1 other country, but not in the United States.

Is Rachel Bloom: Death, Let Me Do My Special worth watching?

82
GreatGoodWatch score

Yes, it's widely acclaimed, with a GoodWatch score of 82 (IMDb 6.6 and Rotten Tomatoes 100%). Critics rate it higher (100 out of 100) than audiences (66).

Will Rachel Bloom: Death, Let Me Do My Special make me laugh?

Funny

Yes: the humor is mostly sharp wit (9 of 10) and dark humor (8 of 10).

Is Rachel Bloom: Death, Let Me Do My Special plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on character depth (9 of 10) and dialogue centrality (9 of 10) more than on its plot.