Reassemblage: From the Firelight to the Screen

1983Movie40 min

62
DecentGoodWatch score

A slow-burning, ambiguous documentary movie about society and politics, with standout direction.

Good for thought-provoking · adults · public viewing safe

Skip it if you want fast pacing

Where to watch

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Not for adrenaline, laughs or brutality.

Movies with

Story

A complex visual study of the women of rural Senegal. Through a complicity of interaction between film and spectator, Reassemblage reflects on documentary filmmaking and the ethnographic representation of cultures.

Feels like

  • Feminist Ethnographic Critique
  • Post-Colonial Deconstruction
  • Academic Documentary Hybrid
  • Reflexive Cinema
  • Anthropological Satire
  • Gender & Power Dynamics
  • Intellectual Provocation
  • Slow-Burn Observation
  • Meta-Cinematic Commentary

Crew

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

September 24, 1983 · 40 min · Documentary

Released
September 24, 1983
Runtime
40 min
Genres
Documentary
Original language
English
Made in
Senegal, United States
Available in
62 countries

Q&A

4 questions, like "Where can I stream Reassemblage: From the Firelight to the Screen?"

Questions about Reassemblage: From the Firelight to the Screen

Quick answers from GoodWatch data.

Where can I stream Reassemblage: From the Firelight to the Screen?

In the United States, Reassemblage: From the Firelight to the Screen streams on DocAlliance Films, and it is free with ads on Kanopy. You can rent or buy it from DocAlliance Films. It also streams in 61 other countries.

Is Reassemblage: From the Firelight to the Screen worth watching?

62
DecentGoodWatch score

Opinions are mixed, with a GoodWatch score of 62 (IMDb 6.5).

Can I half-watch Reassemblage: From the Firelight to the Screen?

Easy watchDemanding

No, it needs your attention: the title analysis rates it 9 of 10 for meta narrative and 8 for philosophical.

Is Reassemblage: From the Firelight to the Screen plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on dialogue centrality (8 of 10) and character depth (5 of 10) more than on its plot.