Trailer

Me and You and Everyone We Know

2005Movie1 h 31 minR

77
GreatGoodWatch score

A romantic, wholesome comedy movie about everyday modern life and family, with standout performances and characters.

Good for date night · friends night · teens

Where to watch

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Not for adrenaline or scares.

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Story

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Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.

Feels like

  • Indie Romance
  • Quirky Characters
  • Suburban America
  • Coming-of-Age Stories
  • Awkward Interactions
  • Character-Driven
  • Melancholy Humor
  • Arthouse Aesthetic
  • Intimate Drama

Cast

Crew

Directed by
Miranda July
Written by
Miranda July
Produced by
Gina Kwon

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

May 12, 2005 · 1 h 31 min · R

Released
May 12, 2005
Runtime
1 h 31 min
Age rating
R
Content
Sexual Content
Genres
Comedy, Drama
Original language
English
Made in
United Kingdom, United States
Available in
11 countries

Q&A

4 questions, like "Where can I stream Me and You and Everyone We Know?"

Questions about Me and You and Everyone We Know

Quick answers from GoodWatch data.

Where can I stream Me and You and Everyone We Know?

In the United States, Me and You and Everyone We Know streams on Philo, AMC+, and Sundance Now, and it is free with ads on Kanopy. You can rent or buy it from Apple TV Store. It also streams in 7 other countries.

Is Me and You and Everyone We Know worth watching?

77
GreatGoodWatch score

Mostly, it's well received, with a GoodWatch score of 77 (IMDb 7.2, Rotten Tomatoes 82%, and Metacritic 76).

Will Me and You and Everyone We Know make me laugh?

Light

Now and then: the humor is mostly sharp wit (7 of 10) and situational comedy (6 of 10).

Is Me and You and Everyone We Know plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on character depth (9 of 10) and dialogue centrality (9 of 10) more than on its plot.