The Metropolitan Opera: Giulio Cesare

2013Movie4 h 5 min

84
GreatGoodWatch score

An epic, layered music movie about show business and history, with standout score and performances.

Good for date night · friends night · teens

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Not for scares or laughs.

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Story

Live performance from the Metropolitan Opera, 27 April 2013.

David McVicar’s inventive hit production of Handel’s most popular opera sets the story of Caesar’s conquest of Egypt—and of its queen, Cleopatra—in the era of British 19th-century imperialism while also including elements of Baroque theater and Bollywood movies. David Daniels in the title role and Natalie Dessay as Cleopatra lead the cast. Christophe Dumaux is Ptolemy, Cleopatra’s brother, and Alice Coote and Patricia Bardon star as Sesto and Cornelia, son and widow of Caesar’s opponent Pompey. Early music specialist Harry Bicket conducts and plays harpsichord continuo.

Feels like

  • Opera
  • Handel
  • Historical Setting
  • Classical Music
  • Stage Production
  • Musical Performance
  • Political Intrigue
  • Baroque
  • 19th-Century Imperialism

Cast

Crew

Directed by
Gary Halvorson

Everyone

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Facts

April 27, 2013 · 4 h 5 min · Music

Released
April 27, 2013
Runtime
4 h 5 min
Genres
Music
Original language
English
Also spoken
Italian
Made in
United States

Q&A

3 questions, like "Is The Metropolitan Opera: Giulio Cesare worth watching?"

Questions about The Metropolitan Opera: Giulio Cesare

Quick answers from GoodWatch data.

Is The Metropolitan Opera: Giulio Cesare worth watching?

84
GreatGoodWatch score

Yes, it's widely acclaimed, with a GoodWatch score of 84 (IMDb 8.4).

Is The Metropolitan Opera: Giulio Cesare good for date night?

and 3 moreDate NightPartner WatchAdultsFriends NightIntergenerational

Yes: romance is 6 of 10, and the viewing guide lists it for date night.

Is The Metropolitan Opera: Giulio Cesare plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on dialogue centrality (9 of 10) and character depth (7 of 10) more than on its plot.