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Trailer

Here and Now

2018Movie1 h 30 minR

30
BadGoodWatch score

A melancholic, moving romance movie about everyday modern life and show business.

Good for date night · friends night · teens

Where to watch

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Not for laughs, scares or brutality.

Movies with

Story

On the eve of a major performance, singer Vivienne receives life-altering news that causes her to reevaluate her priorities. Crisscrossing the busy streets of New York City, she tries to balance her upcoming tour, family, and friends. Through interaction with her overbearing mother, Jeanne, her long-time manager, Ben, and her ex-husband, Nick, Vivienne strives to make peace with the decisions and sacrifices she's made along the way.

Feels like

  • Melancholy Drama
  • Showbiz
  • Character-Driven
  • Emotional Reflection
  • Existential Crisis
  • New York City
  • Music-Centric
  • Redemption

Cast

Crew

Directed by
Fabien Constant
Written by
Laura Eason
Music by
Amie Doherty

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

November 9, 2018 · 1 h 30 min · R

Released
November 9, 2018
Runtime
1 h 30 min
Age rating
R
Genres
Romance, Drama
Original language
English
Made in
United States
Available in
62 countries

Q&A

4 questions, like "Where can I stream Here and Now?"

Questions about Here and Now

Quick answers from GoodWatch data.

Where can I stream Here and Now?

In the United States, Here and Now streams on Paramount+ and Chai Flicks, and it is free with ads on Hoopla. You can rent or buy it from Apple TV Store, Google Play Movies, YouTube, and Fandango At Home. It also streams in 5 other countries.

Is Here and Now worth watching?

30
BadGoodWatch score

Reviews are weak, with a GoodWatch score of 30 (IMDb 4.5, Rotten Tomatoes 23%, and Metacritic 45).

Is Here and Now good for date night?

and 2 moreDate NightPartner WatchAdultsFriends NightPublic Viewing Safe

It can be: romance is 5 of 10, and the viewing guide lists it for date night.

Is Here and Now plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on character depth (8 of 10) and dialogue centrality (8 of 10) more than on its plot.