8.5
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G.I.T. on Broadway
1969·Movie
·1h 0min·G·
G.I.T. on Broadway fingerprint
Striking style, light on feelings.
Energy
Spectacular
- Spectacle7
- Fast Pace6
- Adrenaline4
Heart
Hopeful and nostalgic
- Hopefulness7
- Nostalgia7
- Wholesome6
Humor
A little humor
Not a comedy at heart.
- Satire & Parody4
- Wit & Wordplay3
- Situational Comedy2
World
Show business
- World Immersion7
- Rewatchability5
- Novelty5
Craft
Solid, not remarkable
- Acting7
- Direction6
- Narrative Structure5
Style
Standout score
- Music Centrality9
- Music Composition8
- Editing7
All energy traits
- Spectacle7Scale and set-piece grandeur.
- Fast Pace6Quick tempo and momentum.
- Adrenaline4High-energy, pulse-pounding intensity.
- Tension2Edge-of-your-seat suspense and pressure.
- Scare0Frightening moments and scares.
- Violence0Physical conflict and intensity.
Heart
LowHopeful and nostalgic
Emotionally, it's hopeful and nostalgic.
All heart traits
- Hopefulness7Optimism and uplifting resolve.
- Nostalgia7Warmth of memory and retro vibes.
- Wholesome6Heartwarming, uplifting feelings.
- Wonder5Awe, discovery, and amazement.
- Family Dynamics4Relationships and generational ties.
- Romance3Love stories and emotional connections.
- Pathos3Deeply moving, empathetic emotion.
- Melancholy3Bittersweet, reflective sadness.
- Catharsis3Emotional release and payoff.
- Coming of Age2Personal growth and self-discovery.
Humor
LowA little humor
Not a comedy at heart.
Expect a little humor.
All humor traits
- Satire & Parody4Sharp critique and playful imitation.
- Wit & Wordplay3Clever dialogue and verbal humor.
- Situational Comedy2Humor from everyday scenarios and setups.
- Physical Comedy1Slapstick and visual gags.
- Cringe Humor1Awkward, uncomfortable laughs.
- Absurdist Humor1Surreal, nonsensical comedy.
- Dark Humor0Humor from taboo or grim topics.
Related traits
- Pastiche8Playful imitation of styles.
- Wholesome6Heartwarming, uplifting feelings.
- Camp & Irony5Stylized exaggeration and wink.
World
LowShow business
Its world is built around show business.
All world traits
- World Immersion7Depth and sensory richness of setting.
- Rewatchability5Invites repeat viewing.
- Novelty5Fresh ideas and invention.
- Dialogue Centrality4Stories driven by conversation.
- Ambiguity1Open-endedness and uncertainty.
Related traits
- Showbiz9Entertainment industry and performance.
- Historical6Period settings and real events.
- Pop Culture5References and cultural commentary.
Craft
MediumSolid, not remarkable
The craft is serviceable rather than remarkable.
All craft traits
- Acting7Performance craft and presence.
- Direction6Vision and command behind the camera.
- Narrative Structure5Story architecture and form.
- Dialogue Quality5Sharp writing and memorable lines.
- Complexity5Layered plots and ideas.
- Character Depth4Rich, complex characterization.
- Intrigue4Curiosity and investigative pull.
- Non-linear Narrative0Time-shifts and structure play.
- Meta Narrative0Stories about storytelling.
Related traits
- Homage & Reference6Allusions to other works.
- Fast Pace6Quick tempo and momentum.
- Novelty5Fresh ideas and invention.
All style traits
- Music Centrality9Songs central to storytelling.
- Music Composition8Score and musical identity.
- Editing7Pacing and structure through cuts.
- Cinematography6Visual composition and camera work.
- Visual Stylization6Distinctive aesthetic signature.
- Sound Centrality4Sound design as core element.
Related traits
- Pastiche8Playful imitation of styles.
- Spectacle7Scale and set-piece grandeur.
- Camp & Irony5Stylized exaggeration and wink.
Who it's for
AdultsDate NightFamily Movie NightFriends NightParty VibeIntergenerationalKidsPartner WatchPublic Viewing SafeSolo WatchTeensBackground WatchComfort WatchDrop-in FriendlyPure Escapism
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About
The Supremes and The Temptations team up for an hour of song.
G.I.T. on Broadway was a 1969 television special produced by Motown Productions and George Schlatter-Ed Friendly Productions. The special, a follow-up to 1968's successful TCB program, was a musical revue starring Motown's two most popular groups at the time, Diana Ross & the Supremes and The Temptations. Containing primarily Broadway showtunes, the special was taped before a live studio audience in mid-1969 and originally broadcast November 12, 1969 on NBC. Like TCB, the title of the program was derived from an acronym, this one standing for "Gettin' It Together". A soundtrack album for the special, titled On Broadway, was issued the same month the program aired. Though there were no singles released from this album in the states, "The Rhythm of Life" did become a Top 20 hit for the ensemble in Australia. Two months after its release, Diana Ross left The Supremes to start a solo career.
Motown Musical RevueBroadway ShowtunesDiana Ross & The SupremesThe Temptations1960s NostalgiaLive Studio AudienceSpectacle & PasticheFamily EntertainmentUpbeat & Wholesome
Actors
Crew
Directed by:
Written by:
Related Movies and Shows
Overall: Similar vibe.
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Sequels and Prequels
No sequels or prequels available
Media
Questions about G.I.T. on Broadway
Quick answers from GoodWatch data.
Is G.I.T. on Broadway worth watching?
85
ExcellentGoodWatch scoreYes. It's widely acclaimed, with a GoodWatch score of 85/100 (IMDb 8.5). The GoodWatch score combines critic and audience ratings.
What is G.I.T. on Broadway rated?
G
It's rated G in the United States.
How long is G.I.T. on Broadway?
1 h 0 min
G.I.T. on Broadway runs 1 h 0 min.
What language is G.I.T. on Broadway in?
English
It was made in English. Produced in United States.