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Trailer

Saint Frances

2020Movie1 h 40 min

ComedyDrama
80
GreatGoodWatch score
IMDb7.1Metacritic836.6Rotten Tomatoes99%74%

A moving, cathartic comedy movie about everyday modern life and growing up.

Good for date night · friends night · thought-provoking

Where to watch

Fingerprint

Not for scares, brutality or laughs.

Movies with

Story

At the start of the summer, Bridget has an abortion just as she lands a much-needed job in affluent Evanston, Illinois — nannying a six-year old.

Feels like

  • Independent Film
  • Coming-of-Age Story
  • Nanny-Child Relationship
  • Abortion Theme
  • Female-Led
  • Character-Driven
  • Social Issues
  • Modern Relationships
  • Intimate Drama

Cast

18 of 18

Crew

Directed by
Alex Thompson
Written by
Kelly O'Sullivan
Produced by
Raphael Nash, Alex Thompson, Roger Welp
Music by
Quinn Tsan

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

February 28, 2020 · 1 h 40 min · Sexual Content

Released
February 28, 2020
Runtime
1 h 40 min
Content
Sexual Content
Genres
Comedy, Drama
Original language
English
Made in
United States
Available in
117 countries

Q&A

4 questions, like "Where can I stream Saint Frances?"

Questions about Saint Frances

Quick answers from GoodWatch data.

Where can I stream Saint Frances?

PhiloKanopyMUBIFandorFawesomeCineverse

In the United States, Saint Frances streams on Philo, MUBI, Fandor, and Cineverse, and it is free with ads on Kanopy and Fawesome. You can rent or buy it from Apple TV Store, Google Play Movies, YouTube, and Fandango At Home. It also streams in 116 other countries.

Is Saint Frances worth watching?

80
GreatGoodWatch score

Yes, it's widely acclaimed, with a GoodWatch score of 80 (IMDb 7.1, Rotten Tomatoes 99%, and Metacritic 83). Critics rate it higher (91 out of 100) than audiences (70).

Will Saint Frances make me laugh?

A touch

Not much for a comedy: the title analysis gives its humor 1 of 4.

Is Saint Frances plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on character depth (8 of 10) and dialogue centrality (8 of 10) more than on its plot.