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La celosía
1972·Movie
·1h 52min·
La celosía fingerprint
Calm.
Energy
Calm and low-key
- Tension2
- Adrenaline1
- Fast Pace1
Heart
Emotionally reserved
- Nostalgia3
- Pathos2
- Melancholy2
Humor
A little humor
Not a comedy at heart.
- Wit & Wordplay4
- Absurdist Humor2
- Satire & Parody1
World
Kept in the background
- Novelty9
- Dialogue Centrality8
- Ambiguity8
Craft
Solid, not remarkable
- Meta Narrative10
- Direction7
- Complexity7
Style
Functional look and sound
- Visual Stylization7
- Cinematography6
- Editing5
Energy
NoneCalm and low-key
La celosía is calm and low-intensity.
All energy traits
- Tension2Edge-of-your-seat suspense and pressure.
- Adrenaline1High-energy, pulse-pounding intensity.
- Fast Pace1Quick tempo and momentum.
- Spectacle1Scale and set-piece grandeur.
- Scare0Frightening moments and scares.
- Violence0Physical conflict and intensity.
Heart
NoneEmotionally reserved
It keeps its emotions at a distance.
All heart traits
- Nostalgia3Warmth of memory and retro vibes.
- Pathos2Deeply moving, empathetic emotion.
- Melancholy2Bittersweet, reflective sadness.
- Wonder2Awe, discovery, and amazement.
- Hopefulness1Optimism and uplifting resolve.
- Romance0Love stories and emotional connections.
- Wholesome0Heartwarming, uplifting feelings.
- Catharsis0Emotional release and payoff.
- Coming of Age0Personal growth and self-discovery.
- Family Dynamics0Relationships and generational ties.
Related traits
- Philosophical5Ideas about life and existence.
Humor
LowA little humor
Not a comedy at heart.
Expect a little humor.
All humor traits
- Wit & Wordplay4Clever dialogue and verbal humor.
- Absurdist Humor2Surreal, nonsensical comedy.
- Satire & Parody1Sharp critique and playful imitation.
- Situational Comedy0Humor from everyday scenarios and setups.
- Physical Comedy0Slapstick and visual gags.
- Cringe Humor0Awkward, uncomfortable laughs.
- Dark Humor0Humor from taboo or grim topics.
Related traits
- Pastiche8Playful imitation of styles.
- Eccentricity6Oddball tone and quirks.
All world traits
- Novelty9Fresh ideas and invention.
- Dialogue Centrality8Stories driven by conversation.
- Ambiguity8Open-endedness and uncertainty.
- World Immersion4Depth and sensory richness of setting.
- Rewatchability3Invites repeat viewing.
Related traits
- Social Commentary5Perspectives on society and norms.
Craft
LowSolid, not remarkable
The craft is serviceable rather than remarkable.
All craft traits
- Meta Narrative10Stories about storytelling.
- Direction7Vision and command behind the camera.
- Complexity7Layered plots and ideas.
- Dialogue Quality5Sharp writing and memorable lines.
- Character Depth4Rich, complex characterization.
- Acting3Performance craft and presence.
- Narrative Structure2Story architecture and form.
- Intrigue2Curiosity and investigative pull.
- Non-linear Narrative2Time-shifts and structure play.
Related traits
- Novelty9Fresh ideas and invention.
- Homage & Reference6Allusions to other works.
- Philosophical5Ideas about life and existence.
Style
MediumFunctional look and sound
The look and sound stay functional.
All style traits
- Visual Stylization7Distinctive aesthetic signature.
- Cinematography6Visual composition and camera work.
- Editing5Pacing and structure through cuts.
- Music Composition3Score and musical identity.
- Music Centrality1Songs central to storytelling.
- Sound Centrality1Sound design as core element.
Related traits
- Pastiche8Playful imitation of styles.
- Dialogue Centrality8Stories driven by conversation.
Who it's for
AdultsFriends NightPublic Viewing SafeSolo WatchBackground WatchDrop-in FriendlyThought-Provoking
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About
The film is the book and at the same time it is not. The transposition of the work on paper to the screen is, in this case, the occupation of the conceptual artist Isidoro Valcárcel Medina. Through on-screen texts and a succession of voices that read different passages, Medina presents the filmic adaptation of Alain Robbe-Grillet's book. The novel is a tremendously optical reading of objects and landscapes made by a jealous husband who deforms and subjectivizes reality. The film objectifies the texts in the same way by putting them as they are on the screen, but so is the reading of free texts and languages and associations. As the poster that the artist himself made says: “In 1957 Alain Robbe-Grillet published La Celosía. In 1972 Isidoro Valcárcel has taken it to the cinema.” A film that is an exercise on dissociation and the duration of the shot.
Experimental FilmMeta-Narrative AdaptationConceptual ArtDissociation & DurationText-Based CinemaPhilosophical ExerciseVisual StylizationAvant-GardeArthouse Film
Crew
Directed by:
Written by:
Related Movies and Shows
Overall: Similar vibe.
Movies
Shows
Sequels and Prequels
No sequels or prequels available
Media
Questions about La celosía
Quick answers from GoodWatch data.
How long is La celosía?
1 h 52 min
La celosía runs 1 h 52 min.
What language is La celosía in?
Spanish
It was made in Spanish. Produced in Spain.