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Greetings

1968Movie1 h 27 min

Comedy
71
GoodGoodWatch score
IMDb5.6Letterboxd3.0/5Rotten Tomatoes89%42%

A nostalgic, philosophical comedy movie about everyday modern life and society, with standout dialogue.

Good for friends night · thought-provoking · adults

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Not for scares, warmth or adrenaline.

Movies with

Story

An Overground Protest Film!

Three friends in New York City discuss how to dodge the draft and Vietnam, JFK's assassination, voyeurism, computer dating, and everything else.

Feels like

  • Intellectual Dialogue Drama
  • Late 60s NYC Counter-Culture
  • Anti-War Sentiment
  • Character Study
  • Cinéma Vérité Style
  • Political Satire
  • Existential Angst
  • New York School of Filmmaking

Cast

6 of 6

Crew

Directed by
Brian De Palma
Produced by
Charles Hirsch
Music by
Daniel Weiss, Jeffrey Lesser

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

December 15, 1968 · 1 h 27 min · Sexual Content, Strong Language, Drug Use

Released
December 15, 1968
Runtime
1 h 27 min
Content
Sexual Content, Strong Language, Drug Use
Genres
Comedy
Original language
English
Made in
United States
Available in
131 countries

Q&A

5 questions, like "Where can I stream Greetings?"

Questions about Greetings

Quick answers from GoodWatch data.

Where can I stream Greetings?

PrimePlex

In the United States, Greetings streams on Prime, and it is free with ads on Plex. It also streams in 130 other countries.

Is Greetings worth watching?

71
GoodGoodWatch score

Mostly, it's well received, with a GoodWatch score of 71 (IMDb 5.6, Letterboxd 3.0 out of 5, and Rotten Tomatoes 89%). Critics rate it higher (89 out of 100) than audiences (53).

Is there a sequel to Greetings?

  1. Greetings (1968)
  2. Hi, Mom! (1970)

Yes: it's movie 1 of 2 in its series, followed by Hi, Mom! (1970).

Will Greetings make me laugh?

Funny

Yes: the humor is mostly sharp wit (8 of 10) and satire (6 of 10).

Is Greetings plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on dialogue centrality (10 of 10) and character depth (7 of 10) more than on its plot.