6.8
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The Prisoner or: How I Planned to Kill Tony Blair
2007·Movie
The Prisoner or: How I Planned to Kill Tony Blair fingerprint
Strong craft, light on feelings.
Energy
Calm and low-key
- Fast Pace6
- Tension5
- Spectacle4
Heart
Moving
- Pathos7
- Melancholy6
- Catharsis6
Humor
Some satire and dark humor
Not a comedy at heart.
- Satire & Parody7
- Dark Humor6
- Situational Comedy5
World
Politics, everyday modern life, and society
- Dialogue Centrality7
- World Immersion6
- Ambiguity6
Craft
Solid, not remarkable
- Acting7
- Narrative Structure7
- Character Depth7
Style
Functional look and sound
- Editing7
- Cinematography6
- Music Composition5
Energy
MediumCalm and low-key
The Prisoner or: How I Planned to Kill Tony Blair is calm and low-intensity.
All energy traits
- Fast Pace6Quick tempo and momentum.
- Tension5Edge-of-your-seat suspense and pressure.
- Spectacle4Scale and set-piece grandeur.
- Violence4Physical conflict and intensity.
- Adrenaline3High-energy, pulse-pounding intensity.
- Scare1Frightening moments and scares.
Related traits
- Bleakness7Grim, stark outlooks.
- Slow Burn5Gradual build with payoff.
- Warfare5Battles, strategy, and conflict.
Heart
LowMoving
Emotionally, it's moving.
All heart traits
- Pathos7Deeply moving, empathetic emotion.
- Melancholy6Bittersweet, reflective sadness.
- Catharsis6Emotional release and payoff.
- Hopefulness5Optimism and uplifting resolve.
- Nostalgia4Warmth of memory and retro vibes.
- Family Dynamics4Relationships and generational ties.
- Wholesome3Heartwarming, uplifting feelings.
- Coming of Age3Personal growth and self-discovery.
- Wonder3Awe, discovery, and amazement.
- Romance2Love stories and emotional connections.
Related traits
- Bleakness7Grim, stark outlooks.
- Character Depth7Rich, complex characterization.
- Philosophical5Ideas about life and existence.
Humor
MediumSome satire and dark humor
Not a comedy at heart.
Expect some satire and dark humor.
All humor traits
- Satire & Parody7Sharp critique and playful imitation.
- Dark Humor6Humor from taboo or grim topics.
- Situational Comedy5Humor from everyday scenarios and setups.
- Absurdist Humor5Surreal, nonsensical comedy.
- Wit & Wordplay4Clever dialogue and verbal humor.
- Cringe Humor3Awkward, uncomfortable laughs.
- Physical Comedy2Slapstick and visual gags.
World
MediumPolitics, everyday modern life, and society
Its world is built around politics, everyday modern life, and society.
All world traits
- Dialogue Centrality7Stories driven by conversation.
- World Immersion6Depth and sensory richness of setting.
- Ambiguity6Open-endedness and uncertainty.
- Rewatchability5Invites repeat viewing.
- Novelty5Fresh ideas and invention.
Related traits
- Politics9Thought-provoking works exploring political themes.
- Contemporary Realism8Modern, grounded storytelling.
- Social Commentary8Perspectives on society and norms.
- Class & Capitalism7Wealth, power, and inequality.
- Historical6Period settings and real events.
- Biographical6Lives of notable figures.
Craft
HighSolid, not remarkable
The craft is serviceable rather than remarkable.
All craft traits
- Acting7Performance craft and presence.
- Narrative Structure7Story architecture and form.
- Character Depth7Rich, complex characterization.
- Intrigue7Curiosity and investigative pull.
- Complexity7Layered plots and ideas.
- Direction6Vision and command behind the camera.
- Dialogue Quality6Sharp writing and memorable lines.
- Non-linear Narrative4Time-shifts and structure play.
- Meta Narrative3Stories about storytelling.
Related traits
- Educational7Informative and instructive.
- Fast Pace6Quick tempo and momentum.
- Novelty5Fresh ideas and invention.
- Philosophical5Ideas about life and existence.
- Slow Burn5Gradual build with payoff.
Style
MediumFunctional look and sound
The look and sound stay functional.
All style traits
- Editing7Pacing and structure through cuts.
- Cinematography6Visual composition and camera work.
- Music Composition5Score and musical identity.
- Visual Stylization5Distinctive aesthetic signature.
- Music Centrality4The score or soundtrack shapes the emotional experience.
- Sound Centrality4Sound design as core element.
Related traits
- Dialogue Centrality7Stories driven by conversation.
Who it's for
AdultsFriends NightPublic Viewing SafeSolo WatchTeensDrop-in FriendlyThought-Provoking
Based on the GoodWatch fingerprint: our scores for 70+ attributes of every movie. Select a row to see all of them.
About
In 2003, Iraqi journalist Yunis Abbas was taken from his home by American soldiers and detained at Abu Ghraib prison on suspicion of planning to assassinate Tony Blair. Only thing is, he was innocent. Through his months-long ordeal played out like a comedy of errors, Yunis learned the true meaning of liberation. His unique story is told via co-director Michael Tucker's footage, Yunis's home videos and illustrations by co-director Petra Epperlein.
Iraqi WarAbu GhraibPolitical CommentaryDocumentarySatiricalDark HumorMiddle EastIncarcerationUS MilitaryWar on Terror
Crew
Directed by:
Written by:
Produced by:
Composed by:
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Sequels and Prequels
No sequels or prequels available
Media
Questions about The Prisoner or: How I Planned to Kill Tony Blair
Quick answers from GoodWatch data.
Is The Prisoner or: How I Planned to Kill Tony Blair worth watching?
62
DecentGoodWatch scoreOpinions are mixed, with a GoodWatch score of 62/100 (IMDb 6.8, Rotten Tomatoes 83%, and Metacritic 67). The GoodWatch score combines critic and audience ratings.
What is The Prisoner or: How I Planned to Kill Tony Blair rated?
PG-13Disturbing imagery
It's rated PG-13 in the United States. Content advisories: disturbing imagery.
How long is The Prisoner or: How I Planned to Kill Tony Blair?
0 h 54 min
The Prisoner or: How I Planned to Kill Tony Blair runs 0 h 54 min.
Do critics and audiences agree on The Prisoner or: How I Planned to Kill Tony Blair?
Critics75
Audiences69
Yes. Critics average 75 and audiences 69 out of 100, so both groups see The Prisoner or: How I Planned to Kill Tony Blair much the same way.
What language is The Prisoner or: How I Planned to Kill Tony Blair in?
English
It was made in English. Produced in Germany, United States.