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Trailer

3, 2, 1... Frankie Go Boom

2012Movie1 h 29 minNR

Comedy
49
MediocreGoodWatch score
IMDb5.9Metacritic514.6Rotten Tomatoes45%41%

A fast-paced, quirky comedy movie about family and everyday modern life.

Good for friends night · party vibe · teens

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Not for scares, big ideas or romance.

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Story

A comedy about two brothers, a girl with a broken heart, a sex tape, an angel and a pig...

Frank Bartlett has been tortured, embarrassed, and humiliated by his brother Bruce — usually on film — his entire life. Now that Bruce is finally off drugs and has turned his life around, things should be different. They are not.

Feels like

  • Raunchy Comedy
  • Sibling Rivalry
  • Embarrassment Humor
  • Darkly Humorous
  • Online Shenanigans
  • Uncomfortable Situations
  • Family Dysfunction
  • Chaotic
  • Contemporary Setting

Cast

16 of 16

Crew

Directed by
Jordan Roberts
Written by
Jordan Roberts
Produced by
Pavlina Hatoupis, Marcel Langenegger, Katayoun A. Marciano
Music by
Mateo Messina

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

October 12, 2012 · 1 h 29 min · NR

Released
October 12, 2012
Runtime
1 h 29 min
Age rating
NR
Content
Strong Language, Sexual Content, Nudity
Genres
Comedy
Original language
English
Made in
United States
Available in
26 countries

Q&A

4 questions, like "Where can I stream 3, 2, 1... Frankie Go Boom?"

Questions about 3, 2, 1... Frankie Go Boom

Quick answers from GoodWatch data.

Where can I stream 3, 2, 1... Frankie Go Boom?

Fawesome

In the United States, 3, 2, 1... Frankie Go Boom is free with ads on Fawesome. It also streams in 6 other countries.

Is 3, 2, 1... Frankie Go Boom worth watching?

49
MediocreGoodWatch score

Reviews are weak, with a GoodWatch score of 49 (IMDb 5.9, Rotten Tomatoes 45%, and Metacritic 51).

Will 3, 2, 1... Frankie Go Boom make me laugh?

Funny

Yes: the humor is mostly cringe comedy (8 of 10) and situational comedy (7 of 10).

Is 3, 2, 1... Frankie Go Boom plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on dialogue centrality (7 of 10) and character depth (6 of 10) more than on its plot.