C

Camera

Camillo Bazzoni

Career

Active from 1964 to 2000, busiest in 1986 with 4 main titles.

Average score
GoodWatch score63/100
Highest rated
Poster for The Ways of the Lord are Finite
The Ways of the Lord are Finite
GoodWatch score70/100

What stands out

Compared with the average well-known movie, over 11 of their titles. Select a trait to filter titles.

Energy: 3.6 versus catalog average 4.6EnergyHeart: 4.1 versus catalog average 4.2HeartHumor: 2.4 versus catalog average 2.6HumorWorld: 5.9 versus catalog average 5.6WorldCraft: 5.6 versus catalog average 5.3CraftStyle: 5.6 versus catalog average 5.9Style
Camillo Bazzoni Catalog average

Rarely in their work

  • Contemporary Realism
    3.0, average 5.4
  • Scare
    1.2, average 2.6
  • Fantasy
    0.4, average 1.7
  • Tech & Humanity
    0.3, average 1.6

Main genres

Select a genre to see those titles.

Recurring tags

  • Character-Driven 6
  • Italian Cinema 5
  • Social Commentary 4
  • Psychological Intrigue 3
  • Romantic Comedy 3
  • Psychological Mystery 2
  • Eccentric Characters 2

Works often with

People in at least two of their main titles.

Movies and TV shows

36
Type
Role
Score
Decade
Genre
Group by

2000s

2 titles
Rosa and Cornelia
Rosa and Cornelia (2000)

Director of Photography

The Shadow of the Giant
The Shadow of the Giant (2000)

Director of Photography

1990s

3 titles Β· average score 69
Love, Money and Philosophy
Love, Money and Philosophy (1996)

Director of Photography

Angeli a sud
Angeli a sud (1992)

Cinematography

I Thought It Was Love
I Thought It Was Love (1991)
GoodWatch score 69

Director of Photography

1980s

13 titles Β· average score 65
The Ways of the Lord are Finite
The Ways of the Lord are Finite (1987)
GoodWatch score 70

Director of Photography

The Corruption
The Corruption (1986)
GoodWatch score 55

Director of Photography

Let's Hope It's a Girl
Let's Hope It's a Girl (1986)
GoodWatch score 64

Director of Photography

Summer Night with Greek Profile, Almond Eyes and Scent of Basil
Summer Night with Greek Profile, Almond Eyes and Scent of Basil (1986)
GoodWatch score 56

Director of Photography

The Moro Affair
The Moro Affair (1986)
GoodWatch score 68

Director of Photography

The 2 Lives of Mattia Pascal
The 2 Lives of Mattia Pascal (1985)
GoodWatch score 63

Director of Photography

Bertoldo, Bertoldino, and Cacasenno
Bertoldo, Bertoldino, and Cacasenno (1984)
GoodWatch score 66

Director of Photography

A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit
A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit (1983)

Director of Photography

Street of Mirrors
Street of Mirrors (1983)

Director of Photography

Vampirismus
Vampirismus (1982)

Director of Photography

Reds
Reds (1981)
GoodWatch score 79

Camera Operator

Love in First Class
Love in First Class (1980)

Director of Photography

1970s

5 titles Β· average score 62
Ernesto
Ernesto (1979)
GoodWatch score 62

Director of Photography

Histoire d'eau
Histoire d'eau (1977)

Director of Photography

The Last Desperate Hours
The Last Desperate Hours (1974)

Writer

Shadows Unseen
Shadows Unseen (1972)

Director

Black Lemons
Black Lemons (1970)

Director

1960s

13 titles Β· average score 67
A Long Ride from Hell
A Long Ride from Hell (1968)
GoodWatch score 56

Director

Suicide Commando
Suicide Commando (1968)

Director

Man, Pride and Vengeance
Man, Pride and Vengeance (1967)
GoodWatch score 58

Cinematography

The Scream
The Scream (1966)

Director

The Possessed
The Possessed (1965)
GoodWatch score 68

Camera Operator

That Tender Age
That Tender Age (1964)

Director of Photography

Before the Revolution
Before the Revolution (1964)
GoodWatch score 80

Camera Operator

La bellezza di Ippolita
La bellezza di Ippolita (1962)

Camera Operator

The Police Commissioner
The Police Commissioner (1962)
GoodWatch score 71

Camera Operator

The Black Invaders
The Black Invaders (1962)

Camera Operator

The Laws of War
The Laws of War (1961)

Camera Operator

Fury of the Pagans
Fury of the Pagans (1960)

Assistant Camera