8.1
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Maria de los Angeles
1997·Show
·113Episodes in1Season·NR·
Maria de los Angeles fingerprint
No humor.
Energy
Calm and low-key
- Tension6
- Fast Pace4
- Adrenaline3
Heart
Deeply romantic and moving
Much of it is about family.
- Romance9
- Pathos8
- Family Dynamics8
Humor
Serious throughout
- Wit & Wordplay2
- Situational Comedy1
- Physical Comedy1
World
Everyday modern life and family
- World Immersion7
- Dialogue Centrality7
- Rewatchability6
Craft
Solid, not remarkable
- Acting7
- Narrative Structure7
- Character Depth7
Style
Functional look and sound
- Cinematography6
- Editing6
- Music Composition6
Energy
MediumCalm and low-key
Maria de los Angeles is calm and low-intensity.
All energy traits
- Tension6Edge-of-your-seat suspense and pressure.
- Fast Pace4Quick tempo and momentum.
- Adrenaline3High-energy, pulse-pounding intensity.
- Spectacle2Scale and set-piece grandeur.
- Violence2Physical conflict and intensity.
- Scare0Frightening moments and scares.
Related traits
- Slow Burn6Gradual build with payoff.
Heart
MediumDeeply romantic and moving
Much of it is about family.
Emotionally, it's deeply romantic, moving, and cathartic. Much of it is about family.
All heart traits
- Romance9Love stories and emotional connections.
- Pathos8Deeply moving, empathetic emotion.
- Family Dynamics8Relationships and generational ties.
- Catharsis7Emotional release and payoff.
- Melancholy5Bittersweet, reflective sadness.
- Hopefulness5Optimism and uplifting resolve.
- Coming of Age3Personal growth and self-discovery.
- Wholesome2Heartwarming, uplifting feelings.
- Nostalgia1Warmth of memory and retro vibes.
- Wonder1Awe, discovery, and amazement.
Related traits
- Character Depth7Rich, complex characterization.
Humor
NoneSerious throughout
Expect almost no humor.
All humor traits
- Wit & Wordplay2Clever dialogue and verbal humor.
- Situational Comedy1Humor from everyday scenarios and setups.
- Physical Comedy1Slapstick and visual gags.
- Cringe Humor1Awkward, uncomfortable laughs.
- Absurdist Humor0Surreal, nonsensical comedy.
- Satire & Parody0Sharp critique and playful imitation.
- Dark Humor0Humor from taboo or grim topics.
World
MediumEveryday modern life and family
Its world is built around everyday modern life and family.
All world traits
- World Immersion7Depth and sensory richness of setting.
- Dialogue Centrality7Stories driven by conversation.
- Rewatchability6Invites repeat viewing.
- Novelty3Fresh ideas and invention.
- Ambiguity2Open-endedness and uncertainty.
Related traits
- Contemporary Realism8Modern, grounded storytelling.
- Psychological6Inner worlds and mind games.
Craft
MediumSolid, not remarkable
The craft is serviceable rather than remarkable.
All craft traits
- Acting7Performance craft and presence.
- Narrative Structure7Story architecture and form.
- Character Depth7Rich, complex characterization.
- Direction6Vision and command behind the camera.
- Dialogue Quality6Sharp writing and memorable lines.
- Intrigue6Curiosity and investigative pull.
- Complexity5Layered plots and ideas.
- Non-linear Narrative0Time-shifts and structure play.
- Meta Narrative0Stories about storytelling.
Related traits
- Slow Burn6Gradual build with payoff.
Style
MediumFunctional look and sound
The look and sound stay functional.
All style traits
- Cinematography6Visual composition and camera work.
- Editing6Pacing and structure through cuts.
- Music Composition6Score and musical identity.
- Music Centrality6Songs central to storytelling.
- Sound Centrality5Sound design as core element.
- Visual Stylization2Distinctive aesthetic signature.
Related traits
- Dialogue Centrality7Stories driven by conversation.
Who it's for
AdultsDate NightFriends NightIntergenerationalPartner WatchPublic Viewing SafeSolo WatchTeensBackground WatchBinge-FriendlyComfort WatchPure Escapism
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About
Maria de los Angeles is a Venezuelan telenovela that was produced by and seen on Venezuela's Radio Caracas Televisión. Its writers were Julio César Mármol, Mélida Mármol Olivares, Laura Bollonio, Manuel González, and Constantino Estévez. Hernando Faría was in charge of general produccion, Jhony Pulido Mora was its executive producer, and Olegario Barrera was its director. This telenovela lasted 113 episodes and was distributed internationally by RCTV International.
Lilibeth Morillo and Marcelo Cezan starred as the main protagonists while Alba Roversi and Vicente Tepedino starred as the main antagonists.
Venezuelan TelenovelaRomantic MelodramaFamily ConflictEmotional DramaProtagonist-Antagonist DynamicsLong-running NarrativeComplex RelationshipsHeartfelt StorytellingGenre Archetypes
Actors
Crew
Related Movies and Shows
Overall: Similar vibe.
Shows
Movies
Sequels and Prequels
No sequels or prequels available
Media
Questions about Maria de los Angeles
Quick answers from GoodWatch data.
Is Maria de los Angeles worth watching?
80
GreatGoodWatch scoreYes. It's widely acclaimed, with a GoodWatch score of 81/100 (IMDb 8.1). The GoodWatch score combines critic and audience ratings.
What is Maria de los Angeles rated?
NR
It's rated NR in the United States.
How many seasons does Maria de los Angeles have?
1 season
It has 1 season with 113 episodes.
When did Maria de los Angeles air?
S1
It ran from 1997 to 1997 and has ended.
What language is Maria de los Angeles in?
SpanishEnglish
It was made in Spanish, with some English. Produced in United States.
In how many countries can I watch Maria de los Angeles?
4
GoodWatch finds legal streaming, rental, or purchase options for Maria de los Angeles in 4 countries. Pick any of them in Where to Watch to see the local services.