Trailer

We'll Meet Again

1982Show1 season13 episodes

71
GoodGoodWatch score
71
GoodGoodWatch score

Summary

It's 1943 and the American Air Force has come to Market Weatherby, a small East Anglian town. The war-weary British and the brash American GIs sometimes clash, but friendships are also forged.

Good for

  • Date night
  • Friends night
  • Teens

Where to watch

Fingerprint

Not for scares or brutality.

Shows with

We'll Meet Again episodes

1 season · 13 episodes

  1. S1 E1 All Day & Every Day, 6.9
  2. S1 E2 Hands Across the Sea, 7.5
  3. S1 E3 The Milk Run, 7.7
  4. S1 E4 One Step Forward, Two Steps Back, 7.8
  5. S1 E5 The Big One, 7.9
  6. S1 E6 Up the Smoke, 7.7
  7. S1 E7 Fighting Men, 7.6
  8. S1 E8 A Wing and a Prayer, 8.1
  9. S1 E9 You'll Never Know, 7.2
  10. S1 E10 Old Enough to Fight, 7.6
  11. S1 E11 One Day at a Time, 7.8
  12. S1 E12 Exceptional Circumstances, 7.3
  13. S1 E13 The End of the Beginning, 8.1

Cast

Crew

Written by
David Crane
Produced by
Tony Wharmby
Music by
Denis King

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

February 19, 1982 · May 14, 1982 · Ended

First aired
February 19, 1982
Last aired
May 14, 1982
Status
Ended
Length
1 season · 13 episodes
Genres
Drama, War & Politics
Original language
English
Made in
United Kingdom
Available in
2 countries

Q&A

5 questions, like "Where can I stream We'll Meet Again?"

Questions about We'll Meet Again

Quick answers from GoodWatch data.

Is We'll Meet Again worth watching?

71
GoodGoodWatch score

Mostly, it's well received, with a GoodWatch score of 71 (IMDb 7.2).

How long does it take to watch We'll Meet Again?

11 h

About 11 hours: 13 episodes in 1 season of about 53 minutes each, aired from 1982 to 1982.

Is We'll Meet Again good for date night?

and 3 moreDate NightPartner WatchAdultsFriends NightIntergenerational

Yes: romance is 7 of 10, and the viewing guide lists it for date night.

Is We'll Meet Again plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on character depth (8 of 10) and dialogue centrality (8 of 10) more than on its plot.