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MDs

2002Show1 season11 episodesTV-14

Drama
49
MediocreGoodWatch score
IMDb7.6Rotten Tomatoes25%–
49
MediocreGoodWatch score
IMDb7.6Rotten Tomatoes25%–

Summary

Medicine could be a lucrative business if it weren't for all those sick people.

Good for

  • Friends night
  • Teens
  • Binge-friendly

Where to watch

Set your services

Not streaming in any country yet.

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Not for scares or brutality.

Shows with

MDs episodes

1 season · 11 episodes

  1. S1 E1 Time of Death, 9.2
  2. S1 E2 A La Casa, 8.8
  3. S1 E3 Open Heart, 9.8
  4. S1 E4 Heartland, 9.0
  5. S1 E5 Cruel and Unusual, 8.8
  6. S1 E6 R.I.P., 9.1
  7. S1 E7 Wing and a Prayer, 9.5
  8. S1 E8 Reversal of Fortune, 7.4
  9. S1 E9 Family Secrets, 8.0
  10. S1 E10 Connective Tissue, 8.6

Cast

24 of 38 · most episodes first

Crew

Directors
Peter O'Fallon, Vondie Curtis-Hall, Peter Horton
Written by
David Schulner, Joan Rater, Robert Doherty

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

September 25, 2002 · December 11, 2002 · Ended

First aired
September 25, 2002
Last aired
December 11, 2002
Status
Ended
Length
1 season · 11 episodes
Age rating
TV-14
Content
Disturbing Imagery
Genres
Drama
Original language
English
Made in
United States

Q&A

5 questions, like "Is MDs worth watching?"

Questions about MDs

Quick answers from GoodWatch data.

Is MDs worth watching?

49
MediocreGoodWatch score

Reviews are weak, with a GoodWatch score of 49 (IMDb 7.6 and Rotten Tomatoes 25%). Audiences rate it higher (76 out of 100) than critics (25).

Is MDs okay for kids?

TV-14Disturbing imagery

Not for young kids: it's rated TV-14 in the United States for disturbing imagery, and the viewing guide lists it for teens and adults.

How long does it take to watch MDs?

11 h

About 11 hours: 11 episodes in 1 season of about 60 minutes each, aired from 2002 to 2002.

Will MDs make me laugh?

Funny

Yes: the humor is mostly satire (8 of 10) and sharp wit (7 of 10).

Is MDs plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on dialogue centrality (8 of 10) and character depth (7 of 10) more than on its plot.