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World War I in Colour

2003Show1 season6 episodesNR

73
GoodGoodWatch score

A deeply moving, relentlessly bleak documentary series about history and war.

Good for friends night · binge-friendly · thought-provoking

Skip it if you want something to laugh at · you need an uplifting mood

Where to watch

Set your services

Not streaming in United States. Where it is:

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Not for warmth, uplift or laughs.

Shows with

Episodes

1 season · 6 episodes · best: S1E1 "Catastrophe" 7.8

Episodes

7.7

Story

Documentary narrated by Kenneth Branagh consisting of colourised footage from World War I.

Feels like

  • Historical Documentary
  • World War I
  • Colorized Footage
  • War Chronicle
  • Human Impact of Conflict
  • Educational & Informative
  • Grim Realism
  • Archival Material
  • Visually Striking

Cast

Crew

Written by
Simon Berthon

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

September 1, 2003 · October 6, 2003 · Ended

First aired
September 1, 2003
Last aired
October 6, 2003
Status
Ended
Length
1 season · 6 episodes
Age rating
NR
Content
Violence, Disturbing Imagery
Genres
Documentary
Original language
English
Made in
United Kingdom
Available in
2 countries

Q&A

5 questions, like "Where can I stream World War I in Colour?"

Questions about World War I in Colour

Quick answers from GoodWatch data.

Where can I stream World War I in Colour?

It streams in 2 other countries, but not in the United States.

Is World War I in Colour worth watching?

73
GoodGoodWatch score

Mostly, it's well received, with a GoodWatch score of 73 (IMDb 8.1).

How long does it take to watch World War I in Colour?

5 h

About 5 hours: 6 episodes in 1 season of about 50 minutes each, aired from 2003 to 2003.

Will I feel good after watching World War I in Colour?

BleakHopeful

Probably not: the title analysis rates it 9 of 10 for bleakness and 8 for melancholy, against 1 for hopefulness.

Is World War I in Colour plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on pathos (9 of 10) and dialogue centrality (7 of 10) more than on its plot.