Summary
The very different lives of Jan Leigh, a poor but studious young country lad, and Diana Gayelorde-Sutton, the equally single minded daughter of a rich landowner, from the 1920s through to post-war Britain.
Good for
- Date night
- Family movie night
- Friends night
Skip it if
- You want fast pacing
Where to watch
Fingerprint
Not for scares, laughs or brutality.
Cast
24 of 32 · most episodes first
Patsy KensitYoung Diana
Jack WatsonUncle Mark
Gillian RaineDrip
Elizabeth BennettMrs Gayelorde-Sutton
Harold InnocentMr Gayelorde-Sutton
John HollisCroker
Mary MorrisMiss Westcott
Preston LockwoodMr Priddis
Kevin McNallyJan Leigh
Jenny SeagroveDiana Gayelorde-Sutton
Fulton MackayBlackier
Jonathan LynnTwining
Bryan ColemanFrank Benson
David MallinsonReporter
Michael BertenshawReporter
Marcus GilbertYoung Man
Moray WatsonFellowes
Trevor CooperHarrington
Christopher GoodAlistair
Rosalind KnightMrs Eggins
Mary HealeyWaitress
Yves BeneytonRaoul de Royden
Bruce PayneSgt Grice
Crew
- Directors
- Richard Stroud, David Tucker
- Written by
- Andrew Davies, R.F. Delderfield
- Produced by
- Ken Riddington
- Music by
- Stanley Myers
Everyone
Pick a department, or search for a name or a job (“editor”, “stunt”).
Facts
January 12, 1984 · March 15, 1984 · Ended
- First aired
- January 12, 1984
- Last aired
- March 15, 1984
- Status
- Ended
- Length
- 1 season · 10 episodes
- Genres
- Drama
- Original language
- English
- Made in
- United Kingdom
- Available in
- 1 country
Q&A
6 questions, like "Where can I stream Diana?"
Questions about Diana
Quick answers from GoodWatch data.
Is Diana worth watching?
Mostly, it's well received, with a GoodWatch score of 73 (IMDb 8.2).
Is Diana okay for kids?
Yes: the viewing guide lists it for family nights.
How long does it take to watch Diana?
9 h
About 9 hours: 10 episodes in 1 season of about 55 minutes each, aired from 1984 to 1984.
Is Diana good for date night?
Yes: romance is 7 of 10, and the viewing guide lists it for date night.
Is Diana plot-driven or character-driven?
Mostly character-driven: it leans on character depth (8 of 10) and dialogue centrality (7 of 10) more than on its plot.
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