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On the Margin
1966·Show
70
GoodGoodWatch score70
GoodGoodWatch scoreWatchWhere to watch
Not streaming in any country yet.
On the Margin fingerprint
Very funny, low-key.
Energy
Calm and low-key
- Fast Pace5
- Spectacle3
- Tension2
Heart
Nostalgic
- Nostalgia7
- Wholesome4
- Melancholy4
Humor
Plenty of sharp wit and satire
- Wit & Wordplay9
- Satire & Parody9
- Situational Comedy6
World
Society and history
- Dialogue Centrality9
- Novelty8
- Rewatchability7
Craft
Standout dialogue
- Dialogue Quality9
- Acting7
- Narrative Structure7
Style
Functional look and sound
- Editing6
- Music Composition6
- Music Centrality6
Energy
LowCalm and low-key
On the Margin is calm and low-intensity.
All energy traits
- Fast Pace5Quick tempo and momentum.
- Spectacle3Scale and set-piece grandeur.
- Tension2Edge-of-your-seat suspense and pressure.
- Adrenaline1High-energy, pulse-pounding intensity.
- Scare0Frightening moments and scares.
- Violence0Physical conflict and intensity.
Heart
LowNostalgic
Emotionally, it's nostalgic.
All heart traits
- Nostalgia7Warmth of memory and retro vibes.
- Wholesome4Heartwarming, uplifting feelings.
- Melancholy4Bittersweet, reflective sadness.
- Pathos3Deeply moving, empathetic emotion.
- Hopefulness3Optimism and uplifting resolve.
- Catharsis2Emotional release and payoff.
- Wonder2Awe, discovery, and amazement.
- Romance1Love stories and emotional connections.
- Family Dynamics1Relationships and generational ties.
- Coming of Age0Personal growth and self-discovery.
Related traits
- Character Depth7Rich, complex characterization.
- Philosophical5Ideas about life and existence.
Humor
Very highPlenty of sharp wit and satire
Expect plenty of sharp wit and satire.
All humor traits
- Wit & Wordplay9Clever dialogue and verbal humor.
- Satire & Parody9Sharp critique and playful imitation.
- Situational Comedy6Humor from everyday scenarios and setups.
- Dark Humor5Humor from taboo or grim topics.
- Cringe Humor4Awkward, uncomfortable laughs.
- Physical Comedy3Slapstick and visual gags.
- Absurdist Humor2Surreal, nonsensical comedy.
Related traits
- Eccentricity8Oddball tone and quirks.
World
MediumSociety and history
Its world is built around society and history.
All world traits
- Dialogue Centrality9Stories driven by conversation.
- Novelty8Fresh ideas and invention.
- Rewatchability7Invites repeat viewing.
- World Immersion6Depth and sensory richness of setting.
- Ambiguity2Open-endedness and uncertainty.
Related traits
- Social Commentary9Perspectives on society and norms.
- Historical7Period settings and real events.
- Contemporary Realism6Modern, grounded storytelling.
- Politics6Thought-provoking works exploring political themes.
- Pop Culture5References and cultural commentary.
All craft traits
- Dialogue Quality9Sharp writing and memorable lines.
- Acting7Performance craft and presence.
- Narrative Structure7Story architecture and form.
- Character Depth7Rich, complex characterization.
- Direction6Vision and command behind the camera.
- Complexity5Layered plots and ideas.
- Intrigue4Curiosity and investigative pull.
- Meta Narrative2Stories about storytelling.
- Non-linear Narrative1Time-shifts and structure play.
Related traits
- Novelty8Fresh ideas and invention.
- Philosophical5Ideas about life and existence.
- Fast Pace5Quick tempo and momentum.
All style traits
- Editing6Pacing and structure through cuts.
- Music Composition6Score and musical identity.
- Music Centrality6The score or soundtrack shapes the emotional experience.
- Cinematography5Visual composition and camera work.
- Visual Stylization5Distinctive aesthetic signature.
- Sound Centrality5Sound design as core element.
Related traits
- Dialogue Centrality9Stories driven by conversation.
Who it's for
AdultsFriends NightIntergenerationalPartner WatchPublic Viewing SafeSolo WatchDrop-in FriendlyThought-Provoking
Based on the GoodWatch fingerprint: our scores for 70+ attributes of every show. Select a row to see all of them.
About
On the Margin was a British satirical comedy sketch show written and performed by Alan Bennett and a regular cast including John Sergeant, Virginia Stride, Madge Hindle and Yvonne Gilan. Guest performers included John Fortune and Jonathan Miller. The show also featured songs and poems by John Betjeman and Philip Larkin.
Each episode featured a mixture of sketches, some prophesying his later television dramas such as the quasi-soap, Streets Ahead, Life and Times in NW1, and more unexpectedly, serious poetry and music slots incorporating readings by Michael Hordern and Prunella Scales with archive footage of music-hall stars. This personalised nostalgic element distinguished On the Margin from other contemporary sketch shows, with Bennett's satirical swipes at Britain, integrated with his genuine love of its cultural heritage.
It was directed by Sydney Lotterby, produced by Patrick Garland and was broadcast between 9 November and 14 December 1966 on BBC 2. It was repeated twice in 1967, but the tapes were wiped in the 1970s so the main surviving evidence of the series are the scripts. However, a compilation CD of audio extracts was released in 2009.
Classic British ComedySatirical Sketch ShowSocial CommentaryAlan Bennett HumorIntellectual ComedyNostalgicUnique FormatCultural HeritageWit & WordplayObservational Humor
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Sequels and Prequels
No sequels or prequels available
Media
Questions about On the Margin
Quick answers from GoodWatch data.
Is On the Margin worth watching?
70
GoodGoodWatch scoreMostly. It's well received, with a GoodWatch score of 70/100. The GoodWatch score combines critic and audience ratings.
How many seasons does On the Margin have?
1 season
It has 1 season with 6 episodes of about 30 minutes each.
When did On the Margin air?
S1
It ran from 1966 to 1966 and has ended.
What language is On the Margin in?
English
It was made in English.