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Opera Omnibus
1987·Movie
·1h 30min·
Opera Omnibus fingerprint
Low-key.
Energy
Calm and low-key
- Fast Pace4
- Tension3
- Spectacle3
Heart
Emotionally reserved
- Nostalgia6
- Wholesome5
- Pathos5
Humor
A little humor
Not a comedy at heart.
- Wit & Wordplay3
- Satire & Parody3
- Situational Comedy2
World
Show business and history
- Dialogue Centrality6
- Novelty6
- World Immersion5
Craft
Solid, not remarkable
- Acting5
- Narrative Structure5
- Complexity5
Style
Functional look and sound
- Music Centrality7
- Editing5
- Music Composition5
Energy
LowCalm and low-key
Opera Omnibus is calm and low-intensity.
All energy traits
- Fast Pace4Quick tempo and momentum.
- Tension3Edge-of-your-seat suspense and pressure.
- Spectacle3Scale and set-piece grandeur.
- Adrenaline2High-energy, pulse-pounding intensity.
- Violence2Physical conflict and intensity.
- Scare1Frightening moments and scares.
Heart
LowEmotionally reserved
It keeps its emotions at a distance.
All heart traits
- Nostalgia6Warmth of memory and retro vibes.
- Wholesome5Heartwarming, uplifting feelings.
- Pathos5Deeply moving, empathetic emotion.
- Romance4Love stories and emotional connections.
- Melancholy4Bittersweet, reflective sadness.
- Hopefulness4Optimism and uplifting resolve.
- Family Dynamics4Relationships and generational ties.
- Wonder4Awe, discovery, and amazement.
- Catharsis3Emotional release and payoff.
- Coming of Age3Personal growth and self-discovery.
Humor
LowA little humor
Not a comedy at heart.
Expect a little humor.
All humor traits
- Wit & Wordplay3Clever dialogue and verbal humor.
- Satire & Parody3Sharp critique and playful imitation.
- Situational Comedy2Humor from everyday scenarios and setups.
- Absurdist Humor2Surreal, nonsensical comedy.
- Dark Humor2Humor from taboo or grim topics.
- Physical Comedy1Slapstick and visual gags.
- Cringe Humor1Awkward, uncomfortable laughs.
Related traits
- Pastiche7Playful imitation of styles.
- Wholesome5Heartwarming, uplifting feelings.
World
LowShow business and history
Its world is built around show business and history.
All world traits
- Dialogue Centrality6Stories driven by conversation.
- Novelty6Fresh ideas and invention.
- World Immersion5Depth and sensory richness of setting.
- Rewatchability3Invites repeat viewing.
- Ambiguity2Open-endedness and uncertainty.
Related traits
- Showbiz8Entertainment industry and performance.
- Historical7Period settings and real events.
- Pop Culture5References and cultural commentary.
Craft
LowSolid, not remarkable
The craft is serviceable rather than remarkable.
All craft traits
- Acting5Performance craft and presence.
- Narrative Structure5Story architecture and form.
- Complexity5Layered plots and ideas.
- Non-linear Narrative5Time-shifts and structure play.
- Direction4Vision and command behind the camera.
- Dialogue Quality4Sharp writing and memorable lines.
- Character Depth4Rich, complex characterization.
- Intrigue4Curiosity and investigative pull.
- Meta Narrative2Stories about storytelling.
Related traits
- Novelty6Fresh ideas and invention.
- Educational6Informative and instructive.
- Homage & Reference5Allusions to other works.
Style
MediumFunctional look and sound
The look and sound stay functional.
All style traits
- Music Centrality7The score or soundtrack shapes the emotional experience.
- Editing5Pacing and structure through cuts.
- Music Composition5Score and musical identity.
- Visual Stylization5Distinctive aesthetic signature.
- Cinematography4Visual composition and camera work.
- Sound Centrality4Sound design as core element.
Related traits
- Pastiche7Playful imitation of styles.
- Dialogue Centrality6Stories driven by conversation.
Who it's for
AdultsFamily Movie NightFriends NightIntergenerationalKidsPartner WatchPublic Viewing SafeSolo WatchTeensBackground WatchComfort WatchDrop-in FriendlyPure Escapism
Based on the GoodWatch fingerprint: our scores for 70+ attributes of every movie. Select a row to see all of them.
About
Eight segments of opera films: Sheng Xinma performs a monologue from A King's Revenge (1955), followed by an excerpt of The Patriot's Sword (1958). Cibo Liang is featured in An Immortal Refuses Love (1958), and Yutang Bai appears in The Wonder Boy (1961). Segment five shows Xingbo Liang, Jiasheng Lin, and Cibo Liang in The Impartial Bao Gong (1967), while segment six is a performance by Northern opera actress Suqiu Yu. The last two are versions of Red Maid, The Matchmaker, first a 1958 film with Yanfen Fang and An Banri, followed by one titled The Little Go-Between, featuring Baobao Feng and Cibo Liang. It was originally double billed with South China Stars Special.
Chinese OperaAnthology FilmClassic PerformancesCantonese OperaHistorical ThemesStage to ScreenTraditional ArtsCultural HeritageMusical Performance
Crew
Directed by:
Written by:
Sequels and Prequels
No sequels or prequels available
Media
Questions about Opera Omnibus
Quick answers from GoodWatch data.
How long is Opera Omnibus?
1 h 30 min
Opera Omnibus runs 1 h 30 min.
What language is Opera Omnibus in?
Chinese
It was made in Chinese. Produced in Hong Kong SAR China.