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Tale of Two Sisters

1989Movie1 h 32 minR

Drama
33
BadGoodWatch score
IMDb2.9Rotten Tomatoes–35%

A nostalgic drama movie about everyday modern life and family.

Good for date night · family movie night · friends night

Where to watch

Fingerprint

Not for laughs.

Movies with

Story

Two sisters reunite after not having seen each other for five years. While catching up on each others' lives, they relive childhood experiences, both good and bad.

Feels like

  • Family Drama
  • Sisterhood
  • Reunion
  • Childhood Memories
  • Psychological Themes
  • Contemporary Realism
  • Nostalgic
  • Character-Driven
  • Relationship Dynamics

Cast

9 of 9

Crew

Directed by
Adam Rifkin
Written by
Charlie Sheen
Produced by
Lawrence Bender, Randolf Turrow, Jim Hanson
Music by
Marc David Decker

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

May 1, 1989 · 1 h 32 min · R

Released
May 1, 1989
Runtime
1 h 32 min
Age rating
R
Genres
Drama
Original language
English
Made in
United States
Available in
7 countries

Q&A

5 questions, like "Where can I stream Tale of Two Sisters?"

Questions about Tale of Two Sisters

Quick answers from GoodWatch data.

Where can I stream Tale of Two Sisters?

PrimeFandango at Home FreePlexFawesomeTubi TV

In the United States, Tale of Two Sisters streams on Prime, and it is free with ads on Fandango at Home Free, Plex, Fawesome, and Tubi TV. You can rent or buy it from Fandango At Home. It also streams in 4 other countries.

Is Tale of Two Sisters worth watching?

33
BadGoodWatch score

Reviews are weak, with a GoodWatch score of 33 (IMDb 2.9).

Is Tale of Two Sisters okay for kids?

R

Yes: it's rated R in the United States, and the viewing guide lists it for family nights.

Is Tale of Two Sisters good for date night?

and 4 moreDate NightPartner WatchAdultsFamily Movie NightFriends Night

Yes: romance is 6 of 10, and the viewing guide lists it for date night.

Is Tale of Two Sisters plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on character depth (7 of 10) and dialogue centrality (7 of 10) more than on its plot.