Oscar Wilde's the Nightingale and the Rose

2015Movie13 min

81
GreatGoodWatch score

A deeply moving, melancholic animated movie about fantasy and faith and meaning.

Good for date night · friends night · teens

Where to watch

Set your services

Fingerprint

Not for laughs or scares.

Movies with

Story

A nightingale bird discovers a true lover when she witnesses a young university student talk with great passion about his beloved. The Nightingale goes on a quest to find the red rose the Student needs win his lovers heart, but this comes at a chilling price. Based on the classic fairytale by Oscar Wilde.

Feels like

  • Animated Fairytale
  • Oscar Wilde Adaptation
  • Tragic Romance
  • Symbolic Storytelling
  • Melancholic Beauty
  • Sacrifice for Love
  • Artistic Animation
  • Emotional Resonance

Cast

Crew

Music by
Sarah Blasko

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

February 9, 2015 · 13 min · Suicide Themes

Released
February 9, 2015
Runtime
13 min
Content
Suicide Themes
Genres
Animation, Drama, Fantasy, Romance
Original language
English
Made in
Australia
Available in
53 countries

Q&A

4 questions, like "Where can I stream Oscar Wilde's the Nightingale and the Rose?"

Questions about Oscar Wilde's the Nightingale and the Rose

Quick answers from GoodWatch data.

Where can I stream Oscar Wilde's the Nightingale and the Rose?

In the United States, Oscar Wilde's the Nightingale and the Rose is free with ads on Vimeo. You can rent or buy it from Apple TV Store, Google Play Movies, and YouTube.

Is Oscar Wilde's the Nightingale and the Rose worth watching?

81
GreatGoodWatch score

Yes, it's widely acclaimed, with a GoodWatch score of 81 (IMDb 7.7).

Is Oscar Wilde's the Nightingale and the Rose good for date night?

and 2 moreDate NightPartner WatchAdultsFriends NightPublic Viewing Safe

Yes: romance is 7 of 10, and the viewing guide lists it for date night.

Is Oscar Wilde's the Nightingale and the Rose plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on pathos (9 of 10) and dialogue centrality (8 of 10) more than on its plot.