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Trailer

Walk of Shame

2014Movie1 h 35 minR

Comedy
35
WeakGoodWatch score
IMDb6.0Metacritic254.8Rotten Tomatoes15%38%

A fast-paced, tense comedy movie about everyday modern life and show business.

Good for friends night · party vibe · teens

Where to watch

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Not for big ideas or awe.

Movies with

Story

Awesome night. Epic aftermath.

A reporter's dream of becoming a news anchor is compromised after a one-night stand leaves her stranded in downtown L.A. without a phone, car, ID or money - and only 8 hours to make it to the most important job interview of her life.

Feels like

  • Cringe Comedy
  • Nightmare Scenario
  • Urban Odyssey
  • Media Industry Satire
  • High-Energy Farce
  • Awkward Humor
  • Los Angeles Setting
  • Resilience Story
  • Adult Sitcom Vibe

Cast

24 of 54

Crew

Directed by
Steven Brill
Written by
Steven Brill
Produced by
Gary Lucchesi, Sidney Kimmel, Tom Rosenberg
Music by
John Debney

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

May 2, 2014 · 1 h 35 min · R

Released
May 2, 2014
Runtime
1 h 35 min
Age rating
R
Content
Strong Language, Sexual Content, Drug Use, Violence
Genres
Comedy
Original language
English
Made in
United States
Budget
$6 million
Box office
$8 million
Available in
49 countries

Q&A

4 questions, like "Where can I stream Walk of Shame?"

Questions about Walk of Shame

Quick answers from GoodWatch data.

Where can I stream Walk of Shame?

In the United States, you can rent or buy Walk of Shame from Apple TV Store, Google Play Movies, YouTube, and Fandango At Home. It streams in 17 other countries, but not in the United States.

Is Walk of Shame worth watching?

35
WeakGoodWatch score

Reviews are weak, with a GoodWatch score of 35 (IMDb 6, Rotten Tomatoes 15%, and Metacritic 25). Audiences rate it higher (49 out of 100) than critics (20).

Will Walk of Shame make me laugh?

Funny

Yes: the humor is mostly cringe comedy (9 of 10) and situational comedy (8 of 10).

Is Walk of Shame plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on dialogue centrality (7 of 10) and character depth (5 of 10) more than on its plot.