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The Good Fight

1992Movie1 h 31 minPG

DramaTV Movie
55
DecentGoodWatch score
IMDb6.0

A drama movie about everyday modern life.

Good for date night · friends night · teens

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Not for scares, laughs or brutality.

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Story

Grace Cragin is a bright young lawyer who has a passion for the fight against injustice. Her ex-husband Henry is a lawyer too, but his passion is only to win. The two were divorced ten years earlier when Henry's lust for conquest led him to other women. Now, Grace has a case she cannot win alone and, although she hates to admit it, she needs Henry's help.

Feels like

  • Legal Drama
  • Ex-Spouse Dynamic
  • Courtroom Conflict
  • Romantic Undercurrent
  • Character-Driven
  • Moral Dilemmas
  • Dialogue-Heavy
  • Professional Ethics
  • Human Relationships

Cast

21 of 21

Crew

Directed by
John David Coles
Written by
Beth Gutcheon
Produced by
Julian Marks
Music by
W.G. Snuffy Walden

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

December 15, 1992 · 1 h 31 min · PG

Released
December 15, 1992
Runtime
1 h 31 min
Age rating
PG
Genres
Drama, TV Movie
Original language
English
Made in
United States
Available in
2 countries

Q&A

5 questions, like "Where can I stream The Good Fight?"

Questions about The Good Fight

Quick answers from GoodWatch data.

Where can I stream The Good Fight?

Tubi TV

In the United States, The Good Fight is free with ads on Tubi TV. You can rent or buy it from Apple TV Store, Google Play Movies, and YouTube. It also streams in 1 other country.

Is The Good Fight worth watching?

55
DecentGoodWatch score

Opinions are mixed, with a GoodWatch score of 55 (IMDb 6).

Is The Good Fight okay for kids?

PG

Not for young kids: it's rated PG in the United States, and the viewing guide lists it for teens and adults.

Can I half-watch The Good Fight?

Easy watchDemanding

Yes: it's easy to follow, with complexity at only 4 of 10, and the viewing guide calls it good for background watching.

Is The Good Fight plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on dialogue centrality (8 of 10) and character depth (7 of 10) more than on its plot.