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Fist of Fun

1995 – 1996Show2 seasons12 episodes

Comedy
76
GreatGoodWatch score
IMDb8.3
76
GreatGoodWatch score
IMDb8.3

Summary

Fist of Fun was a British comedy television and radio programme, written by and starring Lee and Herring. A lot of the show's comic material was adapted from Lee and Herring's radio programme Lionel Nimrod's Inexplicable World.

Good for

  • Friends night
  • Party vibe
  • Teens

Where to watch

Set your services

Not streaming in any country yet.

Fingerprint

Not for scares or brutality.

Shows with

Fist of Fun episodes

2 seasons · 12 episodes

  1. S1 E1 Episode #1.1, 8.9
  2. S1 E2 Episode #1.2, 9.2
  3. S1 E3 Episode #1.3, 9.3
  4. S1 E4 Episode #1.4, 9.2
  5. S1 E5 Episode #1.5, 9.1
  6. S1 E6 Episode #1.6, 8.8
  1. S2 E1 Episode #2.1, 9.0
  2. S2 E2 Episode #2.2, 8.7
  3. S2 E4 Episode #2.4, 9.6
  4. S2 E6 Episode #2.6, 8.0

Cast

16 of 16 · most episodes first

Crew

Directors
Steve Bendelack, Nick Wood, John L. Spencer
Written by
Richard Herring, Peter Baynham, Stewart Lee
Produced by
Sarah Smith

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

April 11, 1995 · March 22, 1996 · Ended

First aired
April 11, 1995
Last aired
March 22, 1996
Status
Ended
Length
2 seasons · 12 episodes
Content
Strong Language, Sexual Content
Genres
Comedy
Original language
English
Made in
United Kingdom

Tropes

Berserk Button, British Brevity, Companion Cube +9

Q&A

4 questions, like "Is Fist of Fun worth watching?"

Questions about Fist of Fun

Quick answers from GoodWatch data.

Is Fist of Fun worth watching?

76
GreatGoodWatch score

Mostly, it's well received, with a GoodWatch score of 76 (IMDb 8.3).

How long does it take to watch Fist of Fun?

6 h

About 6 hours: 12 episodes in 2 seasons of about 30 minutes each, aired from 1995 to 1996.

Will Fist of Fun make me laugh?

Very funny

Yes, a lot: the humor is mostly sharp wit (9 of 10) and absurd humor (9 of 10).

Is Fist of Fun plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on dialogue centrality (9 of 10) and character depth (7 of 10) more than on its plot.