Trailer+1 trailer

TEKKEN: The Motion Picture

1998Movie57 min

49
MediocreGoodWatch score
49
MediocreGoodWatch score

Summary

All of your favorite Tekken characters are here as they battle their way through each other to win the Iron Fist tournament, where fighters of unequaled strength from around the world gather to test their strength in the gladitorial arena. Of course, intrigue and danger abound, with professional assassins, champions of justice, and those whose prowess earns them fear and respect facing off.

Good for

  • Friends night
  • Party vibe
  • Teens

Skip it if

  • Graphic violence bothers you
  • You want something quiet and calm

Where to watch

Set your services

Not streaming in any country yet.

Fingerprint

Not for warmth, comfort or romance.

Movies with

Cast

Crew

Written by
Ryota Yamaguchi

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

January 21, 1998 · 57 min · Violence

Released
January 21, 1998
Runtime
57 min
Content
Violence
Genres
Action, Animation, Science Fiction, Drama
Original language
Japanese
Made in
Japan
Keywords
based on video game

Tropes

Ambiguous Situation, Adaptational Backstory Change, Anti-Hero +9

Q&A

4 questions, like "Is TEKKEN: The Motion Picture worth watching?"

Questions about TEKKEN: The Motion Picture

Quick answers from GoodWatch data.

Is TEKKEN: The Motion Picture worth watching?

49
MediocreGoodWatch score

Reviews are weak, with a GoodWatch score of 49 (IMDb 5.3).

Is TEKKEN: The Motion Picture plot-driven or character-driven?

CharactersPlot

Mostly plot-driven: spectacle (8 of 10) and intrigue (7 of 10) carry it more than its characters do.

Is TEKKEN: The Motion Picture in English?

Japanese

No, it was made in Japanese.

What tropes does TEKKEN: The Motion Picture use?

Ambiguous SituationAdaptational Backstory ChangeAnti-HeroWould Hit a GirlFanserviceSelf-Destruct MechanismSpeed StripesUse Your HeadManipulative BastardAdapted OutDistant FinaleVillainous Breakdownand 33 more

TV Tropes lists 45 tropes for it, including Ambiguous Situation, Adaptational Backstory Change, and Anti-Hero.