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Trailer

The Last Shift

2020Movie1 h 30 minR

ComedyDrama
55
DecentGoodWatch score
IMDb5.8Metacritic584.6Rotten Tomatoes66%38%

A melancholic, slow-burning comedy movie about everyday modern life and class and money.

Good for friends night · teens · background watch

Skip it if you want fast pacing

Where to watch

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Not for laughs, adrenaline or comfort.

Movies with

Story

An American story.

Stanley, an aging fast food worker, prepares to work his final graveyard shift after 38 years. When he's asked to train his replacement, Jevon, Stanley's weekend takes an unexpected turn.

Feels like

  • Graveyard Shift
  • Small Town America
  • Existential Loneliness
  • Late-Night Melancholy
  • Working Class Struggles
  • Minimum Wage
  • Quiet Character Study
  • Atmospheric Tension
  • Midnight Diner Vibes

Cast

20 of 20

Crew

Directed by
Andrew Cohn
Written by
Andrew Cohn
Produced by
Albert Berger, Sam Bisbee, Alex Lipschultz
Music by
Mark Orton

Everyone

Pick a department, or search for a name or a job (“editor”, “stunt”).

Facts

September 25, 2020 · 1 h 30 min · R

Released
September 25, 2020
Runtime
1 h 30 min
Age rating
R
Content
Strong Language
Genres
Comedy, Drama
Original language
English
Made in
United States
Box office
$1 million
Available in
87 countries

Q&A

4 questions, like "Where can I stream The Last Shift?"

Questions about The Last Shift

Quick answers from GoodWatch data.

Where can I stream The Last Shift?

Starz

In the United States, The Last Shift streams on Starz. You can rent or buy it from Apple TV Store, Google Play Movies, YouTube, and Fandango At Home. It also streams in 15 other countries.

Is The Last Shift worth watching?

55
DecentGoodWatch score

Opinions are mixed, with a GoodWatch score of 55 (IMDb 5.8, Rotten Tomatoes 66%, and Metacritic 58). Critics rate it higher (62 out of 100) than audiences (47).

Will The Last Shift make me laugh?

A touch

Not much for a comedy: the title analysis gives its humor 1 of 4.

Is The Last Shift plot-driven or character-driven?

CharactersPlot

Mostly character-driven: it leans on character depth (7 of 10) and pathos (7 of 10) more than on its plot.